Tag Archives: Netflix

A Series of Unfortunate Events, Season 3 Review

Starring: Neil Patrick Harris, Patrick Warburton, Malina Weissman, Louis Hynes, Presley Smith and Lucy Punch

Warning: Minor Spoilers Follow

I wasn’t all that impressed with the first season of Netflix’s adaptation. Sure, it was entertaining in its way and better than the film, but let’s be honest, that isn’t hard. The second season picked up a bit, but mainly because it was based on some of the better books in the series (and even then, it’s Vile Village adaptation was dire). Fortunately, it’s a case of third time lucky for Netflix. I don’t know whether or not its that the scriptwriters just kicked things up a gear or the fact that these episodes are based off the best books in the series or that because the final season its more focused on wrapping things up in a satisfying way, but this one WORKED!

Neil Patrick Harris, now freed from the need to play a different version of a disguised Olaf every week, is at his best here. Olaf is menacing, OTT, world-weary and maniacal, sometimes all in the same scene, and he generally carries it off with aplomb. Malina and Louis are as perfect as ever as Klaus and Violet, and Patrick Warburton finally feels like a worthwhile addition to the series. The direction and look of the thing is as great as ever, but crucially, the scripting feels a bit tighter, and boy does that make a difference. Notably, the episodes are a bit shorter than previous seasons, which seems to have been a smart decision. There’s noticeably less padding and everything just flows better.

There’s still the odd change from the books which doesn’t really strike you as necessary, but by and large, its a pretty faithful adaptation of events. But there’s one bonus here book readers will love – you finally get answers that the books, crucially, did not give you. Flashbacks in the Penultimate Peril two-parter really help to flesh out the schism, the sugar bowl, Olaf’s turn from Volunteer to Villain and Lemony and Kit Snicket’s characters. Kit Snicket is perfectly cast as well, which is crucial seeing as she’s so important to the last few books. The other bonus is the welcome return of Carmelita Spats, who is perfectly done and is endlessly entertaining when onscreen. Lucy Punch isn’t quite as memorable as Esme as she was last season, but she still gets the odd moment.

It’s not perfect by any means – Phil still seems miscast, the Violet and Quigley subplot seems rushed and the decision to spare the bald man and the henchperson of indeterminate gender last season doesn’t really serve any purpose, but for the most part, this is a big improvement over the last two seasons. But for everything that doesn’t work, there’s plenty that does. Usman Ally nearly steals the show as the hook-handed man, while the Klaus and Fiona subplot works very believably.  The Man with Beard but no hair (played by Richard E. Grant) and the Woman with Hair but no Beard make a great set of villains to throw both Olaf and the Orphans off balance in this series as well.

Overall, Netflix finally manages to strike the right tone and conclude the series in an engaging, satisfying way. The cast give their all and the writing’s stepped up a gear from last season. The flashbacks alone give book readers a reason to check this out – it really answers any questions the books ever left you wondering…

Rating: 4 out of 5

The theme tune really is catchy isn’t it?

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10 Things to watch out for in 2019

Before I get to my traditional ‘Best of Year’ articles, I thought i’d take some time to do a preview of the likely hits that 2019 might give us. While this type of article is pretty common for this time of year, I’ve never done one before, but I thought I’d try my hand at it. So without further ado, here’s my pick of what films, TV and gaming to watch out for in 2019.

1.Game of Thrones, Final Season: Season 7 really upped the scale of events in Thrones and gave us cinematic battle sequences and long-awaited character interactions into the bargain. Now Season 8 has 6 hour-plus long episodes to wrap everything up. With the White Walkers finally past the wall, expect huge scale battles and significant character deaths. However it ends, its sure to be unmissable television.

2. Avengers: Endgame: Infinity War broke all kinds of records and finally, FINALLY delivered a truly great villain for the MCU. That said, it wasn’t a flawless film, even if it was extremely entertaining. But it set the stage for this: the final Avengers film (at least for this group of Avengers). With a high probably that Iron Man and Captain America will either die or bow out at the conclusion, this might finally be the Marvel film where there are actual consequences. But whatever the fate of the heroes, its another 3 hours (supposedly) of Thanos, and that alone makes it worth seeing.

3. Captain Marvel: Marvel finally gives us a female-superhero movie. Brie Larson certainly looks the part, and the trailer really gives you a sense that there’s some ambition in this one. Expect it to lead straight into Avengers: Endgame too. Throw in a significant role for Samuel L. Jackson, and this could be Marvel’s best origin story since X-Men: First Class. Its only real hurdle is it has to live up to Wonder Woman. Speaking of which…

4. Wonder Woman 1984: One of the two good Worlds of DC films (aside from Man of Steel) finally gets a sequel. With iconic Wonder Woman foe cheetah and a no-doubt rousing soundtrack from Hans Zimmer, this might finally be the film where DC turns the tide. Or it could be the final nail in its coffin if DC screw it up. Either way, its Wonder Woman, so you know its worth a shot.

5. The Last of Us, Part 2: After the first Last of Us and the Uncharted Games, expectations are sky-high for this PS4 exclusive next year. Not only does Naughty Dog have a great track record, but the first game is still one of the best we’ve had this decade. With the same mix of epic storytelling and zombie survival horror, I’ve got very high hopes for this one.

6. The Outer Worlds: Made by Obsidian, this looks like it could be the Dark Horse of gaming releases in 2019. Not only is it the product of the brains behind Fallout: New Vegas (AKA one of the best Fallout games) but it looks like a mash-up between Borderlands and Fallout. That can only be a good thing. We haven’t have a good sci-fi RPG since Mass Effect 3 came out.

7. Stranger Things, Season 3: With House of Cards finished, most Marvel shows cancelled and Orange is the New Black drawing to a close, Stranger Things is kind of Netflix’s last standout show. Its also the best Sci-Fi show on television right now (admittedly not hard when its up against Star Trek: Discovery and Chibnall’s bastard version of Who) with one of the best young casts in television and superb support from Veteran actors such as Winona Ryder and David Harbour. With an incredibly catchy theme, a great soundtrack and brilliant special effects, you’d be mad to miss it.

8. Metro: Exodus: Since there is suddenly an unexpected market for a decent post-apocalyptic RPG game, Metro: Exodus seems likely to do very well next year. The Metro series has always had an interesting story, set in the tunnels underneath a nuclear devastated Russia, it had a pretty unique tone and feel. With Exodus its third and easily most ambitious entry, this not only looks set to pick up many disaffected Fallout fans, but also has little competition in the February release window. I’d put money on it doing quite well so long as they don’t botch the release (looking at you Bethesda).

9. Orange is the New Black, Final Season: Netflix’s longest running hit finally comes to a close in 2019. While the last few seasons have been divisive, I’ve loved them, and I’ll be sad to see it go. With several characters fates up in the air after S6, it’ll be interesting to see how they wrap it all up. With the usual mix of comedy, drama and heartache, i’m sure it’ll be a memorable ride.

10. Star Wars, Episode IX: After the critically successful but audience divisive Force Awakens and Last Jedi, Disney has a fight on its hands to bring the Star Wars fanbase back into balance. With yet another film which had to change director halfway through (this time bringing back J.J. Abrams to replace Colin Trevorrow) we know very little about how this will go. Will it be a Rogue-One-esque triumph? A Force-Awakens style remake of Return of the Jedi with plenty of style but no substance? An innovative yet divisive entry that keeps fans guessing like Last Jedi? (yeah right, this is Abrams. The guy hasn’t had an original idea ever aside from how to overuse lens-flares). Or will it be irrelevant and will audiences just stay home like they did for Solo? Wherever it ends up, it will either be the end of an era or the moment the Star Wars franchise goes back on hiatus. So either way, its going to be an unmissable end to 2019!

The three things I’m most hyped for at this point have to be The Last of Us Part 2, Avengers: Endgame and Stranger Things S3, but who knows – one of the others may pleasantly surprise me and outdo all my expectations. Either way – 2019 is definitely looking good in the entertainment industry (which is reassuring, since the outlook is dire everywhere else!).

Next Up: My look at the best and worst films that have released in 2018, with TV and Video Game articles close behind…

Orange is the New Black Season 6 Review

Starring Taylor Schilling, Natasha Lyonne, Danielle Brooks, Selenis Leyva, Nick Sandow and Kate Mulgrew.

Warning: Minor Plot Spoilers follow for Season 6. Major Spoilers for Season 5.

Season 5 got mixed reviews. I personally loved it, but I can see why some thought it got too fan-service-y in places. Even it detractors have to admit the riot made for compelling viewing. But there were always going to be consequences. The first half of S6 is all about those consequences, and the two key themes of the season are betrayal and redemption.

The opening episodes see the feds out to pin the blame for both the riot and Humphrey and Piscatella’s deaths on at least 5 of the inmates, which leads to a lot of backstabbing and mud-slinging as the various inmates try to save themselves or settle old scores. Some betrayals you really won’t see coming, others are what season 5 was all building up to. The remaining episodes deal with the consequences, as the inmates in question seek revenge, struggle with guilt or fear retribution.

While most of the regulars are back this season, a lot of familiar faces are missing (because they were put in a different prison, while we follow the ones sent to Litchfield Max). Characters like Big Boo and Helen get mere cameos, while ones like Watson, Norma and Chang are entirely absent. A third of the guards from last season are gone too, though Dixon, Luschek, Donuts and McCullough are all back to some extent.

There are various new characters too, both prisoners and guards, some of whom are more memorable than others. The main plot of the season sees the inmates caught up in the tension between C-block and D-block in Maximum Security, driven by a long-standing feud between sisters Carol and Barbara, who are the two major players in Max. Other newbies include their enforcers, Badison (who might just be the nastiest piece of work OITNB has given us) and Daddy (who strikes up a surprisingly sweet relationship with one of the series regulars). The new guards are similarly hit-and-miss, but chief Hopper, Luschek and McCullough’s arcs make up for the less interesting ones.

Things feel a lot more tense this season – the very nature of Max has you constantly worried that someone is about to get shivved or beaten up (both of which happen) while some of the guards are beyond brutal in how they treat Daya and the riot leaders. Orange is the New Black has always been good at mixing humour and drama with the darker side of prison life, and that balance remains as compelling as ever here. If had to criticise, the central conflict between the blocks peters out a bit too much, and there’s no shocks here up there with Poussey or Piscatella’s deaths, but the season as a whole is still pretty great viewing regardless.

The humour is still on point, with highlights including Flaca and Black Cindy teaming up as the new prison radio hosts and Suzanne and Freida becoming cellmates. While most of the romance focus is on Piper and Alex, there are several other compelling pairings throughout the season (including a somewhat unlikely love triangle involving Luschek and two of the prisoners, as well as the conclusion of the Doggett/Donuts arc). Surprisingly the best pairing of the season is Caputo and Fig, who’s relationship plays a much bigger part in the story than you might expect.

Meanwhile it’s Red, Taystee, Daya and Ruiz who get the lion’s share of the drama side of things. The flashbacks remain mostly interesting – Freida’s is arguably the most important, though its Nicky and Cindy’s snapshots that will probably leave a lasting impression. The majority of flashbacks tend to focus on the new characters rather than existing ones, but this was pretty inevitable given the number of cast changes this season.

Overall, I wouldn’t say this is OITNB’s best season, but its a damn good one, even if the finale lacks the punch of recent seasons. Focusing in on a smaller section of the cast seemed to work well, but the quality of the newcomers varied. The show still remains the best Netflix has to offer though.

Rating: 4.5 out of 5

 

Jessica Jones Season 2 Review

Starring Krysten Ritter, Rachael Taylor, Eka Darville, Carrie-Anne Moss and Janet McTreer.

Warning: Minor Spoilers Follow for Season 2 and Major Spoilers for Season 1

Jessica Jones is easily the most interesting of Marvel’s TV superheroes. Her first season was gripping in a way that Luke Cage and Iron Fist never came close to. Yes, it was three episodes too long (like almost ALL Marvel Netflix productions – even the 8-episode Defenders had that problem) but for the most part it was very engaging stuff, helped immeasurably by Krysten Ritter’s tortured ‘not-a-heroine’ Jessica and David Tennant’s chilling villain Kilgrave. The series 1 finale saw Jessica finally get the upper hand and snap Kilgrave’s neck, which begged one obvious question: how the hell do you follow David Tennant as a villain?

Season 2’s answer is to have multiple antagonists. Between dickhead lawyer Pryce (Terry Chen), fellow Metahuman Alisa (Janet McTreer) and scientist Karl (the one who gave Jessica her powers) there’s a lot of potential bad guys floating around. But, unlike the black and white films Marvel is so fond of, there’s a lot of grey here. Jessica, Trish and Hogarth all go to some pretty dark places this season, while none of the villains are the out-and-out monster Kilgrave was. This helps keep the season somewhat unpredictable, even if none of the new characters come close to being as memorable as Tennant.

Fortunately, even if the show can’t live up to season 1’s villain, it does fix a lot of that season’s other problems. The pacing, while slow for the first few episodes, never feels padded out in the way season 1 was. There’s actually 12-13 episodes worth of story to tell here, not 8-10 stretched out like was the case last time. The show also cuts out some of the slack from season 1 (Simpson’s role in events is minimal but effective, Hogarth’s storyline actually leads somewhere) and develops the supporting characters a lot more (Trish and Malcolm have very different season long journeys, while the Jessica who comes out of episode 13 is definitely not the one we see in episode 1). The show also gives Jessica a new love interest who is a really good replacement for Luke, which I wasn’t expecting. The various plot twists don’t derail things the way they scuppered Luke Cage’s last season either, even if the mid-season twist is equally cliché.

Its not all good: the first episode is pretty dreadful, the season’s arc takes a while to become clear and Hogarth’s storyline isn’t always engaging, but overall I think I actually preferred this to season 1. Even if Tennant’s involvement is minimal, the season is much better structured and the production, direction and writing are all pretty consistently strong from episode 2 onwards. If you like darker, more meaningful superhero shows that feature actual detective work and real consequences, Jessica Jones is still the only Marvel offering worth looking at… well unless you happen to find Daredevil interesting (I don’t but I know plenty of people do).

Rating: 4 out of 5 (I gave the first season 3.5/5)

Next up: My review of the second season of ‘A Series of Unfortunate Events’. Or Black Panther if I finally find time to see it.

Stranger Things: Season 2 Review

Starring Winona Ryder, David Harbour, Finn Wolfhard, Millie Bobby Brown, Sean Astin and Paul Reiser.

TV shows tend to hit their stride a bit more in their second season than they did in their first run. This is true for everything from Doctor Who to Arrow to The Grand Tour. This tends to be because showrunners have the chance to look at the first series and iron out any obvious issues that annoyed fans or critics the first time round. The only reason shows can tend to be worse in their second season is if there have been substantial cast changes or there wasn’t a good enough story arc/idea to merit a sequel in the first place. Stranger Things’ cast remained consistent from Series 1, so its continued success was always going to be down to whether the showrunners had a good, clear idea of what the show should do going forward. Good news – they absolutely did.

The show hits the ground running pretty quickly compared to season 1. While the first two episodes mainly serve as exercise in introducing new characters (such as Max [Sadie Sink], a love interest for Dustin and Lucas, and Joyce’s new boyfriend, played by Sean Astin aka Samwise Gamgee) and seeing how the land lies after the events of the season 1 finale (Mike still waiting for Eleven, Nancy’s guilt over Barbara’s death, Will suffering from PTSD etc.) things pick up pretty quickly from episode 3 onwards. The cliffhangers feel more meaningful this time, particularly the ones in episodes 6 and 8. Episode 6’s cliffhanger is exacerbated by the fact that you have to wait a whole chapter to see the resolution, since episode 7 purely focuses on Eleven’s journey (yet still remains extremely engaging). There’s less annoying character moments this time as well (apart from Mike being a dick to Max, though given how much Eleven’s disappearance and Will’s trauma put him through this season its understandable). Paul Reiser (aka Burke from Aliens) also joins the cast as a government doctor at Hawkins lab, and it is pleasingly unclear for most of the season what his true morals/motivations are.

The shows’ production remains largely faultless. The music fits perfectly. The direction and effects mesh together nicely. The dialogue is never clunky or cringeworthy. There are more humorous moments than in season one. Their are less genre-based clichés this time (the government agency isn’t wholly evil for once). The storyline is engaging. If it wasn’t for the fact that you can see where most of the character arcs are headed (i.e. Eleven’s decision at the end of chapter 7/which of Dustin or Lucas that Max will end up with) and the sense that most of the characters are too important for the show to kill off (Will is the only one of the young cast you ever feel is in real danger, ditto Steve amongst the young adults) I’d have no issues with this show at all. However, while the predictability is a shame, rather like in Game of Thrones season 7, you’ll be having too much fun to really care.

Overall Stranger Things 2 is an improvement on the first series in almost every regard. The new cast members slot in seamlessly, the music and direction remain a standout, and the season hits its stride much earlier than the first one did. Only its predictability prevents me giving this a perfect rating.

Rating: 4.5 out of 5

My next review will probably be Jessica Jones season 2, followed by Black Panther when I finally get around to watching it.

Star Trek Discovery Review

Starring Sonequa Martin-Green, Doug Jones, Jason Isaacs, Mary Wiseman, Antony Rapp and Michelle Yeoh.

Contains Minor Spoilers

It’s not been the best year for Sci-Fi on TV. Doctor Who’s run was distinctly average, Red Dwarf has only given us 1 good episode from 4 so far and then there’s Star Trek Discovery, whose opening episodes have majorly disappointed me.

I only got into Star Trek recently, thanks mainly to Netflix who put all 5 (The Original Series, Next Generation, Deep Space Nine, Voyager and Enterprise) live action Star Trek shows on its roster last year. I watched Voyager’s entire run and loved it, and I’ve delved into one or two of Next Gen’s episodes (mainly the ones with the Borg or Q) and enjoyed them. So when Netflix debuted a brand new Star Trek series with modern effects and a cast featuring a couple of famous faces, I thought I’d give it a go. I wish I hadn’t.

It does look brilliant. We’re talking cinematic level quality here. Netflix clearly spent a lot of money on this. A big space battle in episode 2 is up there with the kind of fights we’ve got from the Guardians of the Galaxy movies. The direction isn’t bad either, and the action scenes in general are high quality. But now I start running out of positives. There are several things which will annoy existing Star Trek fans, such as the utterly pointless redesign of the Klingons and how much more advanced the technology looks than the previous star trek series (which considering this is a prequel to every series but Enterprise is a bit stupid). But these are minor issues compared to the big one. The series’ tone and characters completely suck. It tries to be very dark and gritty, which is never what Star Trek has been about. The whole Klingon-Federation war which drives the shows plotline doesn’t really work because of the shows prequel status (i.e. you know the humans and their allies won’t lose, so the stakes are limited to the survival of the main cast). Sure, the TV series and movies occasionally veer into very dark territory, but normally as a exception to the more usual fun and hopeful vibe they have. Discovery is so concerned with putting flawed characters in morally compromised, depressing situations that it completely forgets to have any fun. (I.e. they went the Batman vs. Superman route when they should have been going for a Rogue One kind of tone). The characters don’t help matters either.

Sonequa Martin-Green isn’t a bad actor, but most Star Trek series hinge a lot on their lead, and Human/Vulcan hybrid Michael Burnham just isn’t interesting enough as a character to merit being a series lead. She lacks the likeability and charm of a Kirk, Picard, Sisko or Janeway, and to be honest, Vulcans are always pretty dull characters to focus on in Star Trek, so having a Vulcanized Human as the lead was probably never a good idea (Spock and Tuvok had their moments, but there’s not a lot of places you can take people who have such a limited emotional range).

The support cast aren’t much better. Jason Isaacs gets stuck in a pretty clichéd and thankless role as Captain Lorca, Doug Jones fails to give you any reason to care about Saru, and Antony Rapp’s engineer sucks the joy out of every scene he’s in. Mary Wiseman is the lone exception, as her perky, optimistic character offers much needed light relief. Unfortunately, she has no one similar to bounce off and this limits how well her character works. Michelle Yeoh is the best thing about the cast, but as a recurring guest star isn’t heavily enough involved to make much of a difference.

The Klingon sections also grow tiresome, mainly because the one Klingon with any screen presence is killed off early in the shows run, leaving a load of inadequate stand in villains to step in for the rest of the run. There’s no Worf or B’Elanna to give the Klingons a sympathetic face, and that makes the whole Federation-Klingon war a very one-sided affair.

After 4 episodes, I ran out of both enthusiasm and patience. Even though the individual episodes were relatively engaging, the overall plotline and cast weren’t. I’ve given up because I didn’t see any reason to persevere (normally I give a new show 5 episodes to prove itself, but this one showed so little potential I couldn’t be bothered). I started watching Deep Space Nine instead, and even though the first series of that show is a VERY mixed bag in terms of quality, the characters are engaging enough and the show delivered enough good episodes with the bad that I’ve stuck with it.

To sum up: if you have Netflix and want to try Star Trek, don’t bother with Discovery. Go watch Next Gen, DS9 or Voyager instead (or even the Original Series or Enterprise if your feeling brave). Discovery isn’t just bad Sci-fi, its bad Sci-Fi which barely qualifies as Star Trek. Honestly haven’t been this disappointed with Netflix before. The show may improve, but frankly, I’m not interested enough in its plot or characters to care.

Rating: 2 out of 5 (Lowest Series rating I’ve ever given).

Also: blandest Star Trek theme tune ever? Its just downright dull compared to the epic, mysterious or triumphant themes the other shows (and films) have.

 

 

 

My Top 10 TV Shows of 2016

I only did a top 5 last year but I felt I’d watched considerably more this time, so a top 10 seemed more appropriate.

Minor spoilers for all shows – no real specifics though, don’t worry.

10. Gotham (Season 2 Part 2/Season 3 Part 1) Gotham has often been considered the problem child of the DC universe – it isn’t part of the Arrowverse or the movies and thus sits awkwardly in the middle. Its tone tends to be wildly uneven – one episode gave us the hilariously OTT ending of Butch blowing up a villain with a Bazooka while another had the incredibly tense sequence where the Mad Hatter forced Jim to choose which of his two love interests was shot. However, this year has seen arguably its best run of episodes yet, with a superb Mr. Freeze origin story, a very sweet romance between the teenage Bruce and Selina, a great main villain in season 3 in the Mad Hatter and the winning combination of Penguin and Riddler, who are arguably the best villains on any superhero show right now. The show has miss-stepped a fair few times (the godawful Gordon in prison episode, two lacklustre season finales) but overall its showing great promise, and the first six episodes of season 3 were simply amazing.

9. The Grand Tour (Series 1) Clarkson, Hammond and May’s return may be a mixed bag of the hilarious and the cringe worthy, but overall its been a very welcome addition as well as the main reason to fork out for Amazon Prime. There’s been a few duff moments (particularly in the second episode ‘Operation Desert Stumble) but overall its given us all of the comedy, cars and catastrophe we wanted. It goes without saying, its completely trounced (and savagely mocked) the travesty/pile of excrement which was the Chris Evans version. Serves the BBC right.

8. IZombie (Season 2 Part 2) Anyone who’s not tried IZombie due to the stupid sounding title should really give it a second thought. The unique plotline it has (Zombies gain temporary memories/personality traits from the brains they eat, which allows main character Liv to solve the murders of people who end up in the morgue she works in) really opens up a wealth of storytelling potential, while also leading to some great comedy (the episodes where Liv eats the brain of an erotic novelist spring to mind, though there’s plenty of others with great comedy from similar ideas). The second half of season two in particular ramps up the drama element as more of the main cast find out about Liv’s true nature and the company that created the Zombie outbreak comes under the spotlight. Roll on season 3!

7. The Great British Bake Off (The final series that anyone will bother watching) Second only to the terrible Top Gear reboot in the list of BBC cock-ups this year was the loss of Bake Off to Channel 4 (seriously, who the fuck will watch it with no Mel, Sue, Mary as well as having to put up with sodding ad-breaks). I may have been a late-comer to the series, but the sheer charm of it all won me over and as it is it’s unofficial swansong, I thought i’d include it in my list. Full of the brilliant Mel/Sue interplay with the contestants, lavish desserts and culinary disasters (Andrew forgetting to put the oven on was hilarious) it also gave us a real character in Selasi (to cool to put into words) contestants who were easy to root for in Andrew and Benjamina and my personal favourite, pout-queen Candice Brown (too sweet for words – simply adored her!). This series was the perfect send off to a teatime treat of a show.

6. Legends of Tomorrow (Season 1 Part 2/Season 2 Part 1) The Arrow/Flash spinoff took a few episodes to get going in 2015, but it blew it out of the park in 2016 and surpassed both its parent shows (I sense a pattern emerging – expect Supergirl to be high on this list next year!). The first season gave us a thrilling climax as the team contended with the time masters and Vandal Savage, and the second gave us one of the best supervillain team ups in history as Malcolm Merlyn, the Reverse Flash and Damien Darhk joined forces (Legion of Doom!!!) It also has some of the most colourful characters from the Arrowverse in anti-heroes Snart and Mick (Captain Cold and Heatwave), Captain Rip played by Rory from Doctor Who!! (usually amusingly muttering ‘oh bloody hell…’ as the teams plans fall apart every week) and Sara/White Canary, who continues to be one of my favourite superhero characters (who else can seduce both the Queen of France and girls in Salem in the same episode? Her becoming temporary captain also really gave her character some great material this year. A very silly superhero show, but isn’t that just what we need after 2016?

5. Black Mirror (Series 3) The first of 3 Netflix series in my top 5, Black Mirror’s move from channel 4 to Netflix looks increasingly inspired. Not only has it got rid of ad-breaks and freed up the episodes running time, but increasing the series length to 6 episodes seems to have improved the quality rather than detracted from it. Even weaker episodes like ‘Playtest’ are still worth watching, while there’s some classically dark instalments with clever stings in the tail like ‘Shut Up and Dance’, for those who want more of what series 1 and 2 gave us, as well as new concepts and episode formats. The highlight for me, has to be ‘San Junipero’, sad and heartwarming in equal measure and a very neat sci-fi idea. Overall though, its a sublime run of episodes and well worth your time.

4. Game of Thrones (Season 6) Thrones might not have had a particularly consistent run of episodes (a real slow-burner mid-season with a bit too much padding, particularly in the Arya and King’s Landing storylines) but who cares when it still gave us exactly what we wanted in a kick-ass and explosive finale, a scintillating clash between Jon Snow and Ramsay, Daenerys being awesome for the first time in a while and the sheer horror of the white walkers attack leading to the tearjerking ‘Hold the Door’ moment. If season 7 can keep up the work of episodes like ‘Home’, ‘Battle of the Bastards’ or ‘The Winds of Winter’, then we’re sitting pretty for a thrilling penultimate series.

3. Orange is the New Black (Season 4) Orange is the New Black has got stronger every season and the fourth series doesn’t buck the trend. Despite being arguably one of the darkest series we’ve had from the scriptwriters, it balanced comedy and tragedy as effectively as ever. Any series that combines tear-jerking mental health plotlines and that horrifying twist at the end of episode 12 with laugh out loud moments such as the unlikeliest threesome probably ever seen on TV (I won’t spoil it, its so much better if you aren’t expecting it) is clearly onto a winner. Well done OITNB, yet again you’ve been one of the Netflix highlights this year. Just not as good as…

2. House of Cards (Season 4) After a mixed third season, House of Cards turned things around and delivered what may be its best season so far. Kevin Spacey and Robin Wright’s acting was first class as always, but this time the writing was on par with their performances as the shows version of the US presidential election provided great drama and plenty of shock narrative twists. The way they utilised characters from previous seasons like ex-president Walker, Lucas Goodwin and Raymond Tusk was both expertly done and a real treat for long-term fans. I’ll credit them for not simply caricaturing Trump and Clinton either, instead giving us Joel Kinnaman’s Republican candidate Will Conway who seems like the ideal potential president, but has weaknesses/flaws that become apparent over the season, and was a far more engaging type of figure for Francis to face off with as he was continually at a PR disadvantage. Bring on season 5!

1.The Americans (Season 4) The most consistent series on television was a stand-out this year as the Russian spy pair/American married couple dealt with more problems than ever before as their lives increasingly teetered on the edge of unravelling. Dylan Baker was the stand-out guest star as a Soviet sympathiser working in an American viral lab, while the main cast was as great as ever, particularly Matthew Rhys, Keri Russell, Frank Langella and Alison Wright. The Jennings had to deal with their daughter’s struggle to accept their true identity, the loss of one of their closest informants and missions they worth becoming increasingly uncomfortable with. A slightly lacklustre season finale aside, it was a flawless run with several shock character exits and plot twists, can’t wait for the final two seasons of this thrilling if slow-burning drama.

Missing out on the list was Arrow (still rebuilding after a so-so year), Flash (ditto, Zoom was the most disappointing villain I’ve seen from DC’s TV universe), Red Dwarf (promising but not back to its best yet) and Jessica Jones (too much padding). There are some shows I haven’t got round to watching yet (Supergirl and Westworld for example) and some I just don’t watch (like Walking Dead).

As for the disappointments of the year, my worst offenders have to be the Chris Evans Top Gear (for obvious reasons – what a TWAT!), Doctor Who spin-off Class (very pointless – even Torchwood Series 1 was less awkward) and Luke Cage, which completely wasted its potential and contrived to make sure whichever style of show you like, you would hate half the season. (Congrats Marvel, you have made something worse than Agents of Shield… can’t you just give us Jessica Jones season 2 already?!)

My TV Awards 2016

Best Actor: Matthew Rhys (The Americans)
Best Actress: Krysten Ritter (Jessica Jones)/Robin Wright (House of Cards)
Best Supporting Actor: David Tennant (Jessica Jones)
Best Supporting Actress: Lori Petty (Orange is the New Black)
Best Episode: The Winds of Winter (Game of Thrones)
Best Hero: Sara Lance (Legends of Tomorrow)
Best Villain: Ramsay Snow (Game of Thrones)
Best Scripting: The Americans
Best Direction: Black Mirror
Best Soundtrack: Game of Thrones

If you’ve got your own list or disagree with mine, feel free to comment below. Happy New Year!