Starring: Neil Patrick Harris, Patrick Warburton, Malina Weissman, Louis Hynes, Presley Smith and Lucy Punch
Warning: Minor Spoilers Follow
I wasn’t all that impressed with the first season of Netflix’s adaptation. Sure, it was entertaining in its way and better than the film, but let’s be honest, that isn’t hard. The second season picked up a bit, but mainly because it was based on some of the better books in the series (and even then, it’s Vile Village adaptation was dire). Fortunately, it’s a case of third time lucky for Netflix. I don’t know whether or not its that the scriptwriters just kicked things up a gear or the fact that these episodes are based off the best books in the series or that because the final season its more focused on wrapping things up in a satisfying way, but this one WORKED!
Neil Patrick Harris, now freed from the need to play a different version of a disguised Olaf every week, is at his best here. Olaf is menacing, OTT, world-weary and maniacal, sometimes all in the same scene, and he generally carries it off with aplomb. Malina and Louis are as perfect as ever as Klaus and Violet, and Patrick Warburton finally feels like a worthwhile addition to the series. The direction and look of the thing is as great as ever, but crucially, the scripting feels a bit tighter, and boy does that make a difference. Notably, the episodes are a bit shorter than previous seasons, which seems to have been a smart decision. There’s noticeably less padding and everything just flows better.
There’s still the odd change from the books which doesn’t really strike you as necessary, but by and large, its a pretty faithful adaptation of events. But there’s one bonus here book readers will love – you finally get answers that the books, crucially, did not give you. Flashbacks in the Penultimate Peril two-parter really help to flesh out the schism, the sugar bowl, Olaf’s turn from Volunteer to Villain and Lemony and Kit Snicket’s characters. Kit Snicket is perfectly cast as well, which is crucial seeing as she’s so important to the last few books. The other bonus is the welcome return of Carmelita Spats, who is perfectly done and is endlessly entertaining when onscreen. Lucy Punch isn’t quite as memorable as Esme as she was last season, but she still gets the odd moment.
It’s not perfect by any means – Phil still seems miscast, the Violet and Quigley subplot seems rushed and the decision to spare the bald man and the henchperson of indeterminate gender last season doesn’t really serve any purpose, but for the most part, this is a big improvement over the last two seasons. But for everything that doesn’t work, there’s plenty that does. Usman Ally nearly steals the show as the hook-handed man, while the Klaus and Fiona subplot works very believably. The Man with Beard but no hair (played by Richard E. Grant) and the Woman with Hair but no Beard make a great set of villains to throw both Olaf and the Orphans off balance in this series as well.
Overall, Netflix finally manages to strike the right tone and conclude the series in an engaging, satisfying way. The cast give their all and the writing’s stepped up a gear from last season. The flashbacks alone give book readers a reason to check this out – it really answers any questions the books ever left you wondering…
Rating: 4 out of 5
The theme tune really is catchy isn’t it?