Tag Archives: Jessica Jones

The Best and Worst TV of 2018

So, after films, we’re onto TV. I’m not going to run through all the stuff I’ve seen for this one, mainly because I’ve not caught up with a lot of US TV shows like Arrow and Legends of Tomorrow, so I can only review half the episodes from this year. Bear in mind I’ve not seen some of the best received stuff this year (The Bodyguard, A Very English Scandal etc.) so this is basely solely off what I’ve seen and is my opinion, not a definitive list! Feel free to comment your own best/worst shows below.

I’ll try to keep this as spoiler free as possible.

Top Five:

1. The Americans (Season 6) – The best way to some up the quality of this sublime spy drama set in the cold war is as follows: even if Game of Thrones absolutely nails Season 8 next year with battle scenes above Lord of the Rings intensity and standard, I’ll probably still name The Americans as the TV show of the Decade. It’s been that good. It’s had 5 great seasons and 1 that was merely good, but that’s still a better hit rate than any other six season show I can think of. I’ve given perhaps one episode in its entire run 3.5/5. Everything else has been 4/5 or (usually) even higher. The final season somehow managed to ramp things up a gear while still remaining the slow burning tense classic its always been. Not only did it use the masterstroke of having lead KGB spies Philip and Elizabeth on opposite sides for most of the season, but we finally saw FBI agent Stan Beeman close in on them, leading to an electrifyingly tense and devastating finale, as the Jennings finally had to face the consequences of their actions. It didn’t tie up all lose ends, but this show has always been too clever for that. After all, how many spy operations do you think have a definite, clean ending? Either way, it was utterly unmissable television, and while its one for the connoisseur rather than the mainstream, it still seems a shame that most people still haven’t had a chance to see it.

2. I’m a Celebrity (UK Series 18) – I’m not normally one for reality TV, but this had such a good line-up that I just had to give it a go. I do like I’m a celeb, but usually they have truly detestable celebs on there, like Katie Price or Gemma Collins, so I’ve avoided it for the past few years. This year though, has to be the best run the shows ever had in the UK. Not only did we have Harry Redknapp turning himself into a true national treasure with his stories, but we had Anne Hegerty battling against the odds to overcome some deep personal challenges. The show was largely heart-warming because everyone there was genuinely pleasant for the most part. Even Noel Edmonds, who you could tell was only brought in to stir things up, proved to be a pretty nice guy for most of the run. Even more surprisingly, the celebs were all very good at the trials – I don’t think I’ve ever seen this many full houses of stars! Though admittedly, they were amusingly awful at the dingo dollar challenges. The best thing of all though, had to be the cute friendship between John Barrowman (who had a song for every occasion) and Emily Atack (who was adorably cute and mischievous). If 2018 needed something, it was definitely this series, which for a few blissful weeks almost made you forget about Trump and the mess being made of Brexit.

3. Orange is the New Black (Season 6) It may not have been OITNB’s best season, but it was still Netflix’s top effort this year. Throwing all the inmates into maximum security really allowed the show to mix this up with a tenser atmosphere and some new inmates and guards. With the usual mix of comedy, dark storylines and romance (including some very surprising pairings – who’d have thought 5 years ago that Caputo and Fig would be the easiest couple on the show to root for?). ‘Badison’ made one of the show’s most detestable villains in years (probably the nastiest one since Vee in season 2) and the shows closer focus on some of the characters really allowed them to shine more than normal (Daya, Freida and Nicky in particular). Ultimately, it could have had a better overall plotline, but its set the stage for the final season well enough to scrape into my top 3.

4. Big Mouth (Season 2) Easily the funniest show on Netflix at the moment, Big Mouth is a hilarious send up of puberty that only an animated show could get away with (for obvious reasons). It has its share of family guy-esque gross out comedy and your typical teenage awkward humour, but what makes this unique is the fact it takes time to focus on both genders difficulties (usually these kind of comedies only go with one or the other) and actively personifies those awkward, stupid teenage impulses in the form of ‘hormone monsters’ who actively encourage the characters to ask each other out or to do any number of stupid things, usually with hilariously destructive or embarrassing results. It may sound ridiculous, but its worth a shot and will probably have you poking fun at your own awkward teenage experiences subconsciously – while answering all the questions you’d wished you’d had answers to ten years ago. 

5. Jessica Jones (Season 2) Despite the lack of a signature villain to rival David Tennant’s Kilgrave, Jessica Jones managed to be the most compelling superhero show this year (bearing in mind that I don’t watch Daredevil). Krysten Ritter remains one of the best actresses in Netflix’s employ, and Jessica’s self-destructive tendencies remained firmly in sight this year, particularly with Trish, Malcolm and Hogarth all having various crises of their own around her. Trish really became one of the most hateable characters on TV this series, and whether season 3 pulls off one hell of a redemption story or has her go full villain it’ll be interesting to see. The icing on the cake though, had to be Jessica’s Kilgrave hallucinations in episode 11. It was great to have David Tennant back even for just one episode, and having him play the devil on Jessica’s shoulder was a stroke of genius! Sure the first episode wasn’t great and it was still 2 or so episodes too long, but overall the series was less padded than arrow verse shows, more interesting than Luke Cage and less ridiculous than Gotham or Black Lightning.

Bottom Three:

3. Lost in Space (Netflix) – Netflix’s Lost in Space remake looked amazing, but felt hollow. It was billed as old-fashioned sci-fi, and to be honest that’s what it felt like. It was an adventure with plenty of threat and peril, but little substance or innovation. The cast worked well for the most part, even if Parker Posey’s Dr. Smith was an underwhelming villain. It was well directed and had good special effects, but ultimately, it was a very forgettable ride. Netflix can do a lot better.

2. Doctor Who Series 11 (BBC One) – Oh god, where to start with this one. How to ruin a 50+ year old show in one series? The most miscast actress possible in the title role? How to lose all the shows’ hardcore fans in a single series and achieve an audience score of 28% (and FALLING!) on Rotten Tomatoes? This isn’t Doctor Who. Its a Politically Correct Nightmare of ham-fisted dialogue, woeful villains, weak companions and patronising themes. Chris Chibnall shows his mishandling of Torchwood Series 1 and 2 was no accident – he’s even worse here. Bradley Walsh is the sole redeeming factor, but he can’t save this mess by himself. If you get past episode 5 without giving up, you’re probably a masochist or someone who’s never seen the show before. Utterly dire.

1. Britannia (Sky) – This is one mindf*ck of a show. Set during the Roman Invasion of Britain, it features a heavy emphasis on the Celts’ reaction to the Roman threat and the druids’ influence over the Britons. It has an all star cast, including Zoe Wanamaker, David Morrissey and Ian MacDiarmid, but its just so weird. The plot makes no sense, the supernatural elements feel decidedly out of place, the theme music is dire and some episodes are a real slog to get through. You might be intrigued by it initially, but honestly don’t bother. Its a total waste of your time.

Best Actor: Matthew Rhys (The Americans)

Best Actress: Krysten Ritter (Jessica Jones)/Keri Russell (The Americans)

Best Supporting Actor: Mustafa Shakir (Luke Cage)

Best Supporting Actress: Selenis Leyva (Orange is the New Black)

Best Special Effects: Lost in Space

Best Animated Show: Big Mouth

Best TV Show: The Americans

Best Episode: The Americans – Dead Hand

Best Writing: The Americans

Best Soundtrack: The Americans

Best Theme Tune: Big Mouth

Best Direction: The Americans

Best on-screen pair: Emily Atack and John Barrowman (I’m a celebrity)

Best Hero – Jessica Jones

Best Villain – Bushmaster (Luke Cage)

Worst Hero: The 13th Doctor (Doctor Who)

Worst Villain Tzim-Shaue/Tim Shaw (Doctor Who)

Worst Actor: Nikolaj Lee Kaas (Britannia)

Worst Actress: Jodie Whittaker (Doctor Who)

Worst Supporting Actor: Tosin Cole (Doctor Who)

Worst Supporting Actress: Parker Posey (Lost in Space)

Worst Writing: Chris Chibnall (Doctor Who)

Worst Episode: Britannia – Episode 7

Worst Soundtrack: Britannia

Worst TV Show: Britannia

 

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Jessica Jones Season 2 Review

Starring Krysten Ritter, Rachael Taylor, Eka Darville, Carrie-Anne Moss and Janet McTreer.

Warning: Minor Spoilers Follow for Season 2 and Major Spoilers for Season 1

Jessica Jones is easily the most interesting of Marvel’s TV superheroes. Her first season was gripping in a way that Luke Cage and Iron Fist never came close to. Yes, it was three episodes too long (like almost ALL Marvel Netflix productions – even the 8-episode Defenders had that problem) but for the most part it was very engaging stuff, helped immeasurably by Krysten Ritter’s tortured ‘not-a-heroine’ Jessica and David Tennant’s chilling villain Kilgrave. The series 1 finale saw Jessica finally get the upper hand and snap Kilgrave’s neck, which begged one obvious question: how the hell do you follow David Tennant as a villain?

Season 2’s answer is to have multiple antagonists. Between dickhead lawyer Pryce (Terry Chen), fellow Metahuman Alisa (Janet McTreer) and scientist Karl (the one who gave Jessica her powers) there’s a lot of potential bad guys floating around. But, unlike the black and white films Marvel is so fond of, there’s a lot of grey here. Jessica, Trish and Hogarth all go to some pretty dark places this season, while none of the villains are the out-and-out monster Kilgrave was. This helps keep the season somewhat unpredictable, even if none of the new characters come close to being as memorable as Tennant.

Fortunately, even if the show can’t live up to season 1’s villain, it does fix a lot of that season’s other problems. The pacing, while slow for the first few episodes, never feels padded out in the way season 1 was. There’s actually 12-13 episodes worth of story to tell here, not 8-10 stretched out like was the case last time. The show also cuts out some of the slack from season 1 (Simpson’s role in events is minimal but effective, Hogarth’s storyline actually leads somewhere) and develops the supporting characters a lot more (Trish and Malcolm have very different season long journeys, while the Jessica who comes out of episode 13 is definitely not the one we see in episode 1). The show also gives Jessica a new love interest who is a really good replacement for Luke, which I wasn’t expecting. The various plot twists don’t derail things the way they scuppered Luke Cage’s last season either, even if the mid-season twist is equally cliché.

Its not all good: the first episode is pretty dreadful, the season’s arc takes a while to become clear and Hogarth’s storyline isn’t always engaging, but overall I think I actually preferred this to season 1. Even if Tennant’s involvement is minimal, the season is much better structured and the production, direction and writing are all pretty consistently strong from episode 2 onwards. If you like darker, more meaningful superhero shows that feature actual detective work and real consequences, Jessica Jones is still the only Marvel offering worth looking at… well unless you happen to find Daredevil interesting (I don’t but I know plenty of people do).

Rating: 4 out of 5 (I gave the first season 3.5/5)

Next up: My review of the second season of ‘A Series of Unfortunate Events’. Or Black Panther if I finally find time to see it.

Marvel: The Defenders Review

Starring Charlie Cox, Krysten Ritter, Mike Colter, Finn Jones and Sigourney Weaver.

Contains Minor Spoilers.

I should say before starting that I’m not a massive Marvel TV fan. I liked Jessica Jones, despite its overlong runtime, but thought Luke Cage was a wasted opportunity. I didn’t watch Iron Fist because it got savaged in reviews, nor Daredevil because the character doesn’t interest me (thanks, but if I want Vigilante Justice I’ll stick to Batman or Green Arrow). Ultimately though this wasn’t a massive problem (I read a brief summary of Iron Fist first and that sufficed) as all the plot points from Daredevil and Iron Fist are brought up during Defenders dialogue anyway, so its pretty easy to get up to speed. Obviously you’ll get more out of this if you’ve seen all four of its predecessors, but as long as you’ve watched at least 2 of them I’d say its perfectly accessible.

The other Marvel shows on Netflix suffered because they were 13 episodes long, at least 3 more than needed in both Jessica Jones and Luke Cage’s case. The Defenders solves this problem by only being 8 episodes long, and although it’s initially a slow-burner (you don’t see the 4 heroes all interacting together until episode 3 and 4) it feels appropriate. The interaction between the four is definitely the highlight: Luke and Danny make a surprising good pairing, while Jessica holds her own and remains the most stand-out of the four. Luke is far better here than he was on his own show (as Jessica Jones proved, Luke works better as a co-star rather than a leading man) and from what I’ve heard about Iron Fist Danny is similarly improved by being one amongst equals rather the focus of everything. Charlie Cox gives a fine performance as Daredevil, but his reluctance to get back in the suit is something we’ve seen again and again in Superhero stories (Spider-Man 2, Superman 2, The Dark Knight Rises, Arrow etc.) and makes him the least engaging to watch.

Several supporting characters return from the individual shows, though most don’t do an awful lot, with four exceptions: Foggy, Misty, Claire and Colleen. While Claire and Colleen merit more screen time than they get here, Misty’s presence brings back a few of the issues that dragged Luke Cage’s show down. The Police vs. vigilantes conflict is downright tiresome at this point, and Misty’s interactions with Jessica are just frustrating. The final episode renders the whole going above the law issue pointless, something which is irritating when you could have easily cut an episode’s worth of padding out without this plotline.

The villains suffice but don’t really steal the show the way David Tennant’s Kilgrave did in Jessica Jones. Sigourney Weaver is obviously good, but  her character is ultimately too sidelined in the second half (another problem familiar to Luke Cage fans) and the rest of ‘The Hand’, while getting a handful of cool fight scenes, aren’t much better. Speaking of fight scenes, this is where the Defenders soars. Several of the heroes clash with each other in beautifully choreographed sequences, while the group fights against the villains are also a treat, even if you never really believe the heroes are in danger (this is Marvel after all…). The direction as a whole is superb, and the show is nicely complimented by the musical score. The acting is consistently good, as is the production, but ultimately, like EVERY Marvel TV series, the writing lets things down a few too many times. The Defenders is better than Luke Cage and about equal to Jessica Jones, but falls short of DC shows like Arrow, Gotham or Legends of Tomorrow.

Overall its entertaining but carries over a few problems from previous series, and the last few episodes are riddled with plot holes. Classic Marvel: high on spectacle, low on substance, despite its pleasingly adult tone and superb direction.

Rating: 3.5 of 5

Given how good Jessica and Luke were here, I’ll keep going with their shows. Danny and Colleen were engaging enough that I may give Iron Fist a shot, but The Defenders didn’t change my opinion on Daredevil. Still not interested.

Ultimately while the Defenders is cool, Marvel still has a long way to go before they match DC on TV. This was a step forward though.

Jessica Jones: Season 1 Review

Starring Krysten Ritter and David Tennant

Looking for a quick Netflix binge or a new superhero fix? Jessica Jones might be just what you’re looking for…

Warning: Minor spoilers!

Marvel might have stolen a march on DC in film since the Dark Knight Trilogy, but thanks to Arrow, Flash, Gotham and Supergirl, DC’s pretty much owned the TV side of things. Or at least, it did whilst it’s only competition was the by-the-numbers and underperforming Agents of Shield. But Marvel has struck back. Agent Carter, Daredevil and Jessica Jones are three Marvel shows that have received critical acclaim, and as I had some time on my hands this summer, I decided to check them out, starting with Jessica Jones.

Jessica Jones isn’t your standard superhero TV show. She doesn’t wear a costume, have an alter-ego or superhero name, and the shows much more psychological than action-packed, and has a very noir feel, emphasised by the trippy opening titles and unusual, jazzy soundtrack. Jessica has some classic superhero powers (namely super-strength) but the show avoids the usual cliché of having a villain with similar powers for her origin story or first onscreen outing (aka like Superman and General Zod, Iron Man and Iron Monger, Green Arrow and Malcolm Merlyn etc.).

Instead we get Kilgrave (David Tennant) who might just be the most unsettling villain I’ve seen since the J0ker. His powers? Mind-control. He can compel others to do anything – be it throw coffee in their own face, kill someone they love or jump off a rooftop. Very few superpowered villains are terrifying simply by the nature of their powers – Kilgrave is an exception. Having a super-strong heroine go up against a villain who can effectively turn anyone in the whole city, her closest friends or even herself against her leads to a very tense 13 episodes. That said, he isn’t an entirely unsympathetic villain, his motivation and his past, once later episodes shed light on them, spark some pity for the man, helped in part by Tennant’s marvellous performance.

The acting in general is superb, Ritter makes Jessica a very complex heroine to root for – you won’t agree with everything she does in her quest to catch Kilgrave. The supporting cast all shine, particularly Carrie-Anne Moss as ruthless lawyer Jeri and Mike Colter as fellow superhuman Luke Cage.

The show as a whole is very dark – dealing with very adult topics such as suicide, rape, abortion and PTSD – sometimes you forget this is a superhero drama – anyone who wants the happy go-lucky feel of Marvel films, go somewhere else – this is properly compelling drama that only Winter Soldier and Civil War have come close to delivering. It has it’s lighter moments, particularly in the opening episodes, but overall this is something of an emotional roller-coaster.

So far all good. Issues? Well the show has a few. It’s 13 episode run-time feels undeserved – a few unnecessary plot developments could have been scrapped a delivered a much tighter 10 episode run. Will Simpson, a love interest of Jess’ surrogate sister Trish, has a plotline that really drags in the second half of the season, and even though it’s obviously setting something up for a second season it detracts from the main plot too much to have been necessary. The final showdown between Jess and Kilgrave is satisfying to watch but predictable. In general though, it was a solid first season and a sign that on TV at least, Marvel is willing to take risks with it’s storyline and characters.

Overall: Murky morals, an unsettling villain and a conflicted heroine makes this compelling viewing. It’s not a smash hit and won’t be everyone’s cup of tea, but its very much worth a look.

Season Rating: 3.5 out of 5 (would have been 4/5 if it hadn’t dragged out the story too long)

Reviews coming soon: iZombie – season 1 review, followed by Suicide Squad, Orange is the New Black Season 4 and iZombie season 2!