Tag Archives: Gotham

Gotham: the Good, the Bad and the Downright Mad

Gotham is the weirdo of the DC TV shows. It isn’t part of the Arrowverse or the films. It shows us a Gotham before Batman and Joker. It’s half a gritty, gruesome and violent detective show and half a zany, insane, comic-book-esque thriller. It’s had some real highs and some big missteps. But not only does it work, it was arguably the best DC show last year.

While Supergirl and Arrow dragged on too long, while Legends of Tomorrow got too silly for words at points, while Flash dragged itself further and further down towards creative oblivion, Gotham soared with a season that was macabre, mad and goofy as hell – sometimes all in the same episode! Sure, not everything worked in Gotham’s 4th season, but what do you expect from a show that perpetually throws everything including the kitchen sink at the wall and has an ensemble cast almost as large as game of thrones?

I haven’t done Gotham reviews since Series 1, mainly because the seasons are so long and spread out over the year its hard to summarise them in one article (and not enough people watch it for episodic reviews to be worth my time). So instead, for long-term fans and newbies wondering if the show is worth a shot while its on Netflix, here’s my breakdown of what’s good, what’s bad and what’s just downright mad in Gotham-land.

Will contain fairly substantial Spoilers for Season 1-4. But they’re pretty much impossible to avoid with an article like this.

The Good:

Penguin and Riddler (Seasons 1-4): While Gotham has included many, many established Batman villains and a few they’ve invented themselves, few people would argue that the shows signature villains are Penguin and Riddler, perfectly played by Robin Lord Taylor and Michael Corey Smith. Their story arcs have been spread over many seasons, rather than a few episodes, and have arguably proved as crucial to the shows success as Jim Gordon and Bruce Wayne. They’ve even teamed up, fallen in love (well, Penguin did anyway) and become embroiled in a vicious civil war with each other. While both have had the occasional run in with Bruce, they’ve been far more of a thorn in Gordon’s side, and Jim always seems at his most pressed when facing off with these two.

The Prototype Jokers (Seasons 1-4): Joker casts a long shadow in the Batman mythos, but wisely, the writers didn’t shoehorn him in too early (looking at you DCEU and Suicide Squad). Instead they gave us Jerome (and later Jeremiah) Valeska, who served as the shows early versions of/inspiration for Joker. They have made only limited appearances throughout, but thanks to strong writing and a brilliant performance from Cameron Monaghan, have had a huge impact. Highlights have included Jerome reeking havoc with Theo Galavan’s gang of Maniax, facing off with Bruce in a Circus full of deranged cultists, and Jeremiah teaming up with Ra’s al Ghul. Simply marvellous.

The Ogre, The Mad Hatter and Professor Pyg (Season 1, 3, 4): While Gotham has dealt with most of the more famous Bat villains, it has also taken big risks by including or inventing less-known foes. The Ogre made for a very sinister villain for the final episodes of S1, while the Mad Hatter was an inspired choice of villain for the first half of S3. Best of all was the monstrous Professor Pyg, who tore through both the GCPD and Penguin’s goons during his reign of terror in S4. Given its incredibly unlikely we’d have ever seen villains like this in film or animation, you have to give credit to Gotham for taking risks.

Dirty Cops, Corrupt officials and Gang Wars (Seasons 1-4): Jim’s Gordon’s faced a lot of villains over the course of the show, but his worst enemies have all to often been himself and Gotham’s inherent corruption. Not only has the GCPD endured numerous madmen, massacres and a multitude of corrupt cops but the city’s often been in the grip of corrupt officials, rival mobsters, and disgraced mayors (seriously, all four have been corrupt as hell, and the fact that Penguin wasn’t even the worst of them speaks volumes). Gordon and the other heroes have all too often compromised and corrupted themselves trying to deal with this mess. Apart from Lucius Fox and Alfred, pretty much all of them have crossed lines somewhere, and Gordon, Harvey Bullock and Bruce’s struggles to stay in the light have provided some of the most compelling character arcs.

Bruce and Selina grow into their roles (Seasons 1-4): Getting the casting right is always important, but casting young versions of Bruce Wayne and Selina Kyle was even more fraught with danger than normal. Fortunately, David Mazouz and Camren Bicondova have nailed their roles and have always been believable versions of their future hero and anti-heroine. Both have arguably grown the most of all the characters on the show, and their burgeoning friendship and on-off romantic interest in each other has been very entertaining to watch. Ultimately, the highest compliment I can give them is that they’ve done just as well as any adults who have played the characters in film. That’s no mean feat.

The Bad:

Fish Mooney (Season 1-3): Jada Pinkett Smith is almost as bad an actor as her son Jaden. Fish was an horrendously OTT villain in Season 1, so the cheers were near universal when Penguin sent her plummeting to a watery grave. However, the showrunners couldn’t leave well enough alone, and had Hugo Strange resurrect her in Season 2. They seem to have realised their mistake pretty quickly, as she barely featured in Season 3, and was put down again in the finale, hopefully for good.

The god-awful Gordon Prison Episode (Season 2): Not only was the episode a virtually direct copy of Roy’s imprisonment in Arrow’s third season, but it was done so poorly that I don’t know why they bothered. Having been framed for Murder, Gordon tries to survive prison as a cop on the inside, with all the usual clichés present (cop inside gets targeted, corrupt guards in league with inmates, fake-death used to escape etc.). It’s dull and predictable, and the only episode of Gotham to get lower than 3/5 from me.

No One Knows What to Do with Poison Ivy (Seasons 1-4): On paper, Ivy should have been a much better used character. She starts off as an ordinary girl who is Selina’s best friend, whose father is killed by Gordon after being framed for the Wayne murders. There’s a lot of character potential there without rushing her into the Poison Ivy from the comics. Unfortunately the writers lost patience in Season 3, and realising that Ivy’s powers of seduction and manipulation aren’t useable without having an adult actress in the role, had her rapidly aged up by one of Hugo Strange’s monsters. While this made sense from a plot perspective, the recast version never felt quite right, as the chemistry with Selina vanished and pairing her up with Penguin’s gang went nowhere. After yet another transformation (and another recasting) in Season 4, Ivy finally went into full villainess mode and remembered her history with Gordon, but vanished when Selina ran her out of town. Such a waste of what was a promising character.

Bruce the Brat (Season 3/4): Bruce being brainwashed by the League of Assassin’s was bad enough but the show took his downward spiral in Season 4 too far by having him fire Alfred during a particularly dark spell of drinking and debauchery. Fortunately this only lasted a couple of episodes, but things definitely went too far here.

Overlong Seasons (Seasons 1-4): Like the Arrowverse and many US shows, Gotham has a lot of episodes (22) per season. Unlike the Arrowverse shows, Gotham tried to circumvent this problem by having multiple main villains in each season (Falcone, Maroni, Penguin and Fish in S1, Galavan and Hugo Strange in S2, Mad Hatter and The Court of Owls in S3 and Professor Pyg, Sofia Falcone and Ra’s al Ghul in S4), which worked to some extent. Unfortunately, this often leads to filler plotlines or a drop in quality after the mid-season break, as things are strung along until the final 5 or so episodes. Season 1 felt disjointed, S2’s Hugo Strange fiasco and S3 and S4’s less successful plotlines were all arguably a result of this. You do feel that if Gotham was only 16-18 episodes long each season, the show would work a lot better.

The Mad:

Fish Mooney Gouges Out Her Own Eye (Season 1): This was just batsh*t crazy. Having been shipped off to an island run as an organ bank by the sinister dollmaker, Fish gouges out her own eye with a spoon before he can take them from her. Like all Fish scenes, this was just plain mental, and did not serve any obvious plot purpose (she gets a replacement eye a mere one episode late). Talk about doing things just for shock value.

Azrael vs. Bazooka (Season 2): Hugo Strange resurrecting Theo Galavan was crazy enough, but brainwashing him into becoming Azrael, a legendary crusader-esque warrior, was completely out of whack. Azrael proceeded to hunt down both Bruce Wayne and Jim Gordon due to his messed-up memories, but his exit was the most memorable part. Having been mown down by Bruce in a car and shot by Gordon multiple times, Azrael gets back to his feet only to be blown up by Butch, who was wielding a Bazooka on Penguin’s orders. I wouldn’t blame you for saying this was the point that Gotham ‘jumped the Shark’ and went into full comic book insanity, cause it only gets weirder from here.

Jerome gets a facelift (Season 3): Another villain destined not to stay dead for long, Jerome’s antics with the Maniax Gang inspired a cult following, who tried to resurrect him in season 3. This wasn’t the mad part. Having seeming failed to resuscitate Jerome, the Cult’s leader cut’s off Jerome’s face to wear as a mask, hoping to maintain control over the cult by convincing them that ‘they are all Jerome’. This lunacy went predictably badly, as Jerome was less than impressed about his missing face after he eventually woke up, and blew the cult leader up in short order. But even this wasn’t crazy enough for Gotham, as Jerome not only retrieved his face but proceeded to staple it back onto his head. Without painkillers. Not wonder he only got more insane after that.

Professor Pyg makes people into Pies (Season 4): After the Mad Hatter, Ed’s Riddler Persona, Scarecrow and Jerome, you’d have thought Gotham had scraped the bottom of the barrel for crazy Bat-villains. You. Were. Wrong. Pyg is arguably the most insane, gruesomely macabre villain in the whole of DC comics, and the show’s version was equal to the task. Not content with murdering policemen and covering their heads with masks made from dead pigs, the Professor proceeding to murder a group of homeless people and serve them up to Gotham’s 1%  (including Penguin and Sofia Falcone) in pies. The irony was probably not lost on Penguin, who had done something similar to his evil step-family in Season 2, but this went to a whole other level. No wonder Pyg exited the show a mere two episodes later – where else could you go after that? 

Barbara takes over the League of Shadows (Season 4): This could of easily fallen in the ‘bad’ section of this article, but it was such a crazy, stupid move on the part of the showrunners that it just comes across as completely insane. The whole Ra’s and Barbara partnership was actually quite compelling early season, but after Bruce put an end to Ra’s scheming the show made arguably the craziest mis-step in its history by having Barbara succeed Ra’s as the Demon’s Head late season. Not only did she do such a poor job that she started an entire gender-based civil war within the League of Assassins, but the League got so fed up with her that they resurrected Ra’s in short order to put her in her place. This smacks of giving the character something to do rather than following a logical character arc, and also leaves several major issues in Ra’s plan unsolved (unless he wanted to destroy the league, which later episodes show is not the case, or hideously misjudged Barbara’s ability, which seems unlikely for someone as old and wise as Ra’s, Barbara makes no sense as a choice of successor – especially when Bruce was who Ra’s was so obsessed with!).

So there you go. Gotham, the best, worst (not really – Flash and Agents of SHIELD are still out there) and maddest superhero show TV will probably ever see. If you like your TV dark and crazy, by all means, give it a go.

 

 

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Top 10 TV Episodes of 2017

Rather than my usual top TV shows, I decided to do a top 10 episodes. This was for several reasons: firstly, a lot of my favourite shows have underperformed this year (House of Cards, Doctor Who, The Americans, The Flash), and a top 4 shows would be about the best I could manage, and secondly because many of those shows still had terrific episodes even if the overall season was a bit of a let-down. So without further ado, here’s my TV picks from 2017.

I’ve made any spoilers as minor as possible, but pretty much everything referenced here was either in trailers or has been general knowledge for at least 6 months.

10. World Enough and Time (Doctor Who, Series 10) Series 10 may have been a weak run for Doctor Who, but Steven Moffat’s writing, Capaldi and Mackie’s acting and Rachel Talalay’s direction was flawless throughout. World Enough and Time is up their with Moffat’s best: a dark, creepy haunting tale set on a spaceship stuck orbiting a black hole, causing time to run faster at one end than the other. Throw Missy, a classic monster and another returning (disguised) villain into the mix and you have a classic in the making. If only so much of it hadn’t been spoiled beforehand, this episode might have been a lot further up my list.

9. Season Finale (Robot Wars UK) The last series of Robot Wars had 1 or 2 duff episodes, but the finale was so spectacular that it has to get a place in my top 10. The ten way Robot Rumble to decide who got the coveted sixth spot in the final was perhaps the best 5 minutes of television this series has ever produced, and the sheer chaos of it all was wonderful to behold. The final rounds themselves weren’t bad either – with several surprises as Defending Champions Carbide were placed under extreme pressure and a few no-hopers (Nuts 2) actually acquitted themselves rather well.

8. Beyond the Wall (Game of Thrones, Season 7) Game of Thrones seventh season may have thrown out the careful plotting a bit too much for some fans, but the sheer spectacle of the thing and the wonderful array of character interactions (some we’d waited years to see) still made it insanely compelling viewing. This episode, where Jon Snow and a band of followers including the Brotherhood without banners, The Hound, Tormund, Jorah and Gendry, all venture North of the Wall to search for proof of the White Walkers existence, is on a scale worthy of Lord of the Rings. To say any more would spoil what’s so great about it, but the soundtrack, direction and spectacle were all second to none, even if the resolution is somewhat ludicrous.

7. The Gentle Art of Making Enemies (Gotham, Season 3) Gotham’s not had a great year by all accounts. While we’ve had several great villains truly come to the fore (Riddler, Ra’s al Ghul, Professor Pyg) there’s been too much slow-burning about Gotham, and too many characters have got short-shift. But every so often, the show delivers a real gem, and that’s exactly what we got in this, the third part of a trilogy marking Jerome’s return in season 3. Seeing teenage Bruce Wayne face off with the man Gotham fans are 99% sure is the future Joker was stunning television, and the whole Riddler-Penguin civil war wasn’t a bad B-Plot either. It has a lot of great Bruce and Jerome moments that I won’t spoil, and one hell of a cliffhanger too.

6. The Dragon and the Wolf (Game of Thrones, Season 7) Remember what I said about character interactions? Well the finale had a truck full of them. Whether it was the Hound and Brienne coming face-to-face again, Jon Snow and Daenerys finally meeting Cersei or Jaime finally, FINALLY seeing Cersei’s true colours, it was epic. Littlefinger’s plotline was a punch the air moment for every fan watching, and the final scene with the White Walkers sets up season 8 perfectly. A great finale, if not quite the best episode of the season…

5. Doomworld (Legends of Tomorrow, Season 2) – I would never have expected Legends of Tomorrow, the most ridiculous Superhero Show on TV (featuring time-travel, aliens, mythology etc.) to also have been the best and most consistent one in 2017. But it was. Mainly because of its amazing season 2 plotline, which saw the superhero ensemble face-off with the Legion of Doom (featuring the Reverse-Flash, Dark Archer, Damien Darhk and Captain Cold – aka four of the Arrowverse’s best villains). Doomworld gave us a look at a future where the villains actually won, a rarity on any superhero show, and was a fabulous hour full of redemption stories, villainous one-liners and a kick-ass final battle scene. If season 3 lives up to this standard I won’t be complaining much.

4. Infantino Street (The Flash, Season 3) I’ll be honest, the Flash’s third season was terrible. The main plot didn’t work well and it largely squandered any goodwill left over from the excellent first one and a half seasons. Infantino Street was its sole knockout hit, the penultimate episode of the season, which featured both the return of fan-favourite Leonard Snart and had the villainous Savitar finally delivering on his potential. The ending scene is up their with the best Flash cliffhangers (and there are A LOT of good ones). Pity the producers ruined everything in the season finale, but in my view that doesn’t diminish this classic instalment. Let’s hope season 4 has more episodes like this.

3. Storm-y Weather (Orange is the New Black, Season 5) Orange is the New Black’s status as one of the all-time great Netflix shows remains untarnished (unlike House of Cards, for various reasons), and season five continuing the trend of a series that has actually got better year on year (how many shows can say that?!). Set over 3 days rather than several weeks a la previous series, season 5 gave us a gripping depiction of a prison riot and what happens when the inmates turn the tables on the awful prison officers. This episode (the finale) finally forced the prisoners (and bastard guardsman Piscatella) to face up to their actions and face the consequences. Filled with emotional performances, it confirms that this series really does have longeveity. The use of the ‘To Build a Home’ song over the last 5 mins really was something beautiful too.

2. Lian Yu (Arrow, Season 5) – Season Five finally broke the norm for Arrow finales (i.e. a yearly attack on Star City) and instead presented a much more personal, visceral conflict between Oliver Queen and Prometheus, leading to a monumental battle between both sides (including the whole of team Arrow, Black Siren and several recurring fan favourites). Even the flashbacks were great, as Oliver faced off with a brutal Russian terrorist (played menacingly by Dolph Lungren). Throw in a spectacular cliffhanger and this was by miles the best episode Arrow’s given us since Deathstroke unleashed his army in season 2. A truly terrific finale.

1. The Spoils of War (Game of Thrones, Season 7) – It had to be really. The Spoils of War is a contender for best Thrones episode of all time. It contains a lot of fan-favourite moments and a truly awesome battle scene. Arya training with Brienne is just the icing on the cake. The finale builds and builds to something truly special as we finally see just what those Dragons are really capable of… A masterpiece, and the best episode of TV I’ve seen in a long time.

And here’s my TV Awards for 2017

Best Actress: Melissa Benoist (Supergirl)
Best Actor: Nikolau Coster-Waldau (Jaime Lannister, Game of Thrones)
Best Supporting Actress: Michelle Gomez (Missy, Doctor Who)
Best Supporting Actor: Wentworth Miller (Snart, The Flash/Legends of Tomorrow)
Best TV Show: Game of Thrones/Orange is the New Black
Best Script: Steven Moffat (World Enough and Time, Doctor Who)
Best Director: Rachel Talalay (World Enough and Time, Doctor Who)
Best Special Effects: USS Callister (Black Mirror)
Best Composer: Blake Neely (Arrow, Flash, Supergirl, Legends of Tomorrow)
Best Villain(s): The Legion of Doom (Legends of Tomorrow)
Best Hero: Jon Snow (Game of Thrones)
Worst Actress: Sonequa Martin-Green (Star Trek Discovery)
Worst Actor: Doug Jones (Star Trek Discovery)
Worst Director: Charles Palmer (Oxygen, Doctor Who)
Worst TV Show: Star Trek Discovery
Worst Script: Aaron Helbing and Todd Helbing (Finish Line, The Flash)

My Top 10 TV Shows of 2016

I only did a top 5 last year but I felt I’d watched considerably more this time, so a top 10 seemed more appropriate.

Minor spoilers for all shows – no real specifics though, don’t worry.

10. Gotham (Season 2 Part 2/Season 3 Part 1) Gotham has often been considered the problem child of the DC universe – it isn’t part of the Arrowverse or the movies and thus sits awkwardly in the middle. Its tone tends to be wildly uneven – one episode gave us the hilariously OTT ending of Butch blowing up a villain with a Bazooka while another had the incredibly tense sequence where the Mad Hatter forced Jim to choose which of his two love interests was shot. However, this year has seen arguably its best run of episodes yet, with a superb Mr. Freeze origin story, a very sweet romance between the teenage Bruce and Selina, a great main villain in season 3 in the Mad Hatter and the winning combination of Penguin and Riddler, who are arguably the best villains on any superhero show right now. The show has miss-stepped a fair few times (the godawful Gordon in prison episode, two lacklustre season finales) but overall its showing great promise, and the first six episodes of season 3 were simply amazing.

9. The Grand Tour (Series 1) Clarkson, Hammond and May’s return may be a mixed bag of the hilarious and the cringe worthy, but overall its been a very welcome addition as well as the main reason to fork out for Amazon Prime. There’s been a few duff moments (particularly in the second episode ‘Operation Desert Stumble) but overall its given us all of the comedy, cars and catastrophe we wanted. It goes without saying, its completely trounced (and savagely mocked) the travesty/pile of excrement which was the Chris Evans version. Serves the BBC right.

8. IZombie (Season 2 Part 2) Anyone who’s not tried IZombie due to the stupid sounding title should really give it a second thought. The unique plotline it has (Zombies gain temporary memories/personality traits from the brains they eat, which allows main character Liv to solve the murders of people who end up in the morgue she works in) really opens up a wealth of storytelling potential, while also leading to some great comedy (the episodes where Liv eats the brain of an erotic novelist spring to mind, though there’s plenty of others with great comedy from similar ideas). The second half of season two in particular ramps up the drama element as more of the main cast find out about Liv’s true nature and the company that created the Zombie outbreak comes under the spotlight. Roll on season 3!

7. The Great British Bake Off (The final series that anyone will bother watching) Second only to the terrible Top Gear reboot in the list of BBC cock-ups this year was the loss of Bake Off to Channel 4 (seriously, who the fuck will watch it with no Mel, Sue, Mary as well as having to put up with sodding ad-breaks). I may have been a late-comer to the series, but the sheer charm of it all won me over and as it is it’s unofficial swansong, I thought i’d include it in my list. Full of the brilliant Mel/Sue interplay with the contestants, lavish desserts and culinary disasters (Andrew forgetting to put the oven on was hilarious) it also gave us a real character in Selasi (to cool to put into words) contestants who were easy to root for in Andrew and Benjamina and my personal favourite, pout-queen Candice Brown (too sweet for words – simply adored her!). This series was the perfect send off to a teatime treat of a show.

6. Legends of Tomorrow (Season 1 Part 2/Season 2 Part 1) The Arrow/Flash spinoff took a few episodes to get going in 2015, but it blew it out of the park in 2016 and surpassed both its parent shows (I sense a pattern emerging – expect Supergirl to be high on this list next year!). The first season gave us a thrilling climax as the team contended with the time masters and Vandal Savage, and the second gave us one of the best supervillain team ups in history as Malcolm Merlyn, the Reverse Flash and Damien Darhk joined forces (Legion of Doom!!!) It also has some of the most colourful characters from the Arrowverse in anti-heroes Snart and Mick (Captain Cold and Heatwave), Captain Rip played by Rory from Doctor Who!! (usually amusingly muttering ‘oh bloody hell…’ as the teams plans fall apart every week) and Sara/White Canary, who continues to be one of my favourite superhero characters (who else can seduce both the Queen of France and girls in Salem in the same episode? Her becoming temporary captain also really gave her character some great material this year. A very silly superhero show, but isn’t that just what we need after 2016?

5. Black Mirror (Series 3) The first of 3 Netflix series in my top 5, Black Mirror’s move from channel 4 to Netflix looks increasingly inspired. Not only has it got rid of ad-breaks and freed up the episodes running time, but increasing the series length to 6 episodes seems to have improved the quality rather than detracted from it. Even weaker episodes like ‘Playtest’ are still worth watching, while there’s some classically dark instalments with clever stings in the tail like ‘Shut Up and Dance’, for those who want more of what series 1 and 2 gave us, as well as new concepts and episode formats. The highlight for me, has to be ‘San Junipero’, sad and heartwarming in equal measure and a very neat sci-fi idea. Overall though, its a sublime run of episodes and well worth your time.

4. Game of Thrones (Season 6) Thrones might not have had a particularly consistent run of episodes (a real slow-burner mid-season with a bit too much padding, particularly in the Arya and King’s Landing storylines) but who cares when it still gave us exactly what we wanted in a kick-ass and explosive finale, a scintillating clash between Jon Snow and Ramsay, Daenerys being awesome for the first time in a while and the sheer horror of the white walkers attack leading to the tearjerking ‘Hold the Door’ moment. If season 7 can keep up the work of episodes like ‘Home’, ‘Battle of the Bastards’ or ‘The Winds of Winter’, then we’re sitting pretty for a thrilling penultimate series.

3. Orange is the New Black (Season 4) Orange is the New Black has got stronger every season and the fourth series doesn’t buck the trend. Despite being arguably one of the darkest series we’ve had from the scriptwriters, it balanced comedy and tragedy as effectively as ever. Any series that combines tear-jerking mental health plotlines and that horrifying twist at the end of episode 12 with laugh out loud moments such as the unlikeliest threesome probably ever seen on TV (I won’t spoil it, its so much better if you aren’t expecting it) is clearly onto a winner. Well done OITNB, yet again you’ve been one of the Netflix highlights this year. Just not as good as…

2. House of Cards (Season 4) After a mixed third season, House of Cards turned things around and delivered what may be its best season so far. Kevin Spacey and Robin Wright’s acting was first class as always, but this time the writing was on par with their performances as the shows version of the US presidential election provided great drama and plenty of shock narrative twists. The way they utilised characters from previous seasons like ex-president Walker, Lucas Goodwin and Raymond Tusk was both expertly done and a real treat for long-term fans. I’ll credit them for not simply caricaturing Trump and Clinton either, instead giving us Joel Kinnaman’s Republican candidate Will Conway who seems like the ideal potential president, but has weaknesses/flaws that become apparent over the season, and was a far more engaging type of figure for Francis to face off with as he was continually at a PR disadvantage. Bring on season 5!

1.The Americans (Season 4) The most consistent series on television was a stand-out this year as the Russian spy pair/American married couple dealt with more problems than ever before as their lives increasingly teetered on the edge of unravelling. Dylan Baker was the stand-out guest star as a Soviet sympathiser working in an American viral lab, while the main cast was as great as ever, particularly Matthew Rhys, Keri Russell, Frank Langella and Alison Wright. The Jennings had to deal with their daughter’s struggle to accept their true identity, the loss of one of their closest informants and missions they worth becoming increasingly uncomfortable with. A slightly lacklustre season finale aside, it was a flawless run with several shock character exits and plot twists, can’t wait for the final two seasons of this thrilling if slow-burning drama.

Missing out on the list was Arrow (still rebuilding after a so-so year), Flash (ditto, Zoom was the most disappointing villain I’ve seen from DC’s TV universe), Red Dwarf (promising but not back to its best yet) and Jessica Jones (too much padding). There are some shows I haven’t got round to watching yet (Supergirl and Westworld for example) and some I just don’t watch (like Walking Dead).

As for the disappointments of the year, my worst offenders have to be the Chris Evans Top Gear (for obvious reasons – what a TWAT!), Doctor Who spin-off Class (very pointless – even Torchwood Series 1 was less awkward) and Luke Cage, which completely wasted its potential and contrived to make sure whichever style of show you like, you would hate half the season. (Congrats Marvel, you have made something worse than Agents of Shield… can’t you just give us Jessica Jones season 2 already?!)

My TV Awards 2016

Best Actor: Matthew Rhys (The Americans)
Best Actress: Krysten Ritter (Jessica Jones)/Robin Wright (House of Cards)
Best Supporting Actor: David Tennant (Jessica Jones)
Best Supporting Actress: Lori Petty (Orange is the New Black)
Best Episode: The Winds of Winter (Game of Thrones)
Best Hero: Sara Lance (Legends of Tomorrow)
Best Villain: Ramsay Snow (Game of Thrones)
Best Scripting: The Americans
Best Direction: Black Mirror
Best Soundtrack: Game of Thrones

If you’ve got your own list or disagree with mine, feel free to comment below. Happy New Year!

Series Review: Gotham Season 1

Gotham starring Ben McKenzie (Jim Gordon), Donal Logue (Harvey Bullock) and Robin Lord Taylor (The Penguin/Oswald Cobblepot)

I was always skeptical about Gotham. A Batman prequel? Batman without the Bat himself? Sure, Jim Gordon is an important character, but could he really hold a show by himself? But as it’s the final third of summer and Gotham has just been added to Netflix, i thought I’d give it a shot.

Warning: Minor Spoilers for season plotlines – no main character deaths will be mentioned.

Gotham has a threefold focus: Jim Gordon’s struggle to improve the largely corrupt and mob-controlled Gotham City Police Department (GCPD), Bruce Wayne’s journey after the loss of his parents and the origin stories of various villains (Penguin, Riddler, Catwoman, Ivy, Scarecrow, Joker, The Dollmaker, Zsasz, Harvey Dent and Red Hood are all teased or part of season one). The opening episodes are important (the Waynes are gunned down within the first ten minutes of episode 1 – we knew it had to happen soon but i didn’t expect it that fast!) but the series only really gets going by episode 4 (which is good, as i usually give up by episode 5 of a series if there’s nothing to merit continuing – coincidentally Breaking Bad has 1 episode left to convince me after a disappointing opening 4…). If you’re still unsure by this point, watch episode 7 (Penguin’s Umbrella) because it’s the first great episode Gotham delivers – and if you still don’t like it by then it’s probably not for you.

Ben McKenzie doesn’t put in a bad performance as Gordon, though playing the out and out hero doesn’t always give him a lot to do. His interactions with Harvey Bullock and Captain Essen (the two who he works with at the corrupt police department, who slowly show signs of redemption by helping him more as the season progresses) are well written, but it’s his scenes with Penguin that really shine. Barbara, Gordon’s supposed love interest, wasn’t all that good (hence their break up mid-season) but her pairing as a mentor to Selina Kyle works better, and Morena Baccarin is much better as Leslie Thompkins, who Gordon grows close to in the second half of the season. David Mazouz is excellent as the young Bruce Wayne – inquisitive, intelligent, arrogant and isolated, you can see shades of the Batman slowly forming. He’s helped by Sean Pertwee as a younger, more active Alfred than we’re used to, but really shines when he’s paired off with Selina Kyle (who’s both enigmatic and far more morally grey than Bruce – but the early signs of an attraction between them is obvious).

This is the one of the few Batman adaptions to do one thing: have someone other than Joker as the main villain. After the Nolan trilogy, the Arkham games and virtually every animated series used him as the centerpiece, Gotham broke the mold (at least for it’s first season) and went with Penguin instead. Sure Joker may crop up at some point (and he may have already – we’ve had a couple of possible Joker candidates appear so far) but i applaud Gotham for not using him straight away. Joker works so well against Batman i believe they should really save him for later seasons when Bruce gets closer to becoming the Bat anyway – having him opposite Gordon probably wouldn’t be as effective. Season 2 will have him in some way – but i hope he doesn’t steal too much of the spotlight from Penguin and Riddler – who have been built up so effectively in season 1. Robin Lord Taylor is the highlight of the series as Penguin, who is caught in the middle of a brewing Gang War between the Falcone and Maroni crime bosses, as well as the ambitious Fish Mooney, who is plotting to usurp Falcone. Watching him squirm, weasel, murder and plot his way up through the ranks of Maroni and Falcone’s organisations (switching sides more than once) is a highlight. Corey Michael Smith has a slower plot arc as Edward Nygma, who as a social misfit working as a forensic analyst for GCPD, is constantly put down by the cops (save Gordon) while harbouring an unrequitted crush on a colleague which eventually drives him to commit his first murder. He really comes into his own late season, and will doubtless fall further into villainy in series two.

It’s easy for a TV series to have a lot of episodes I’d rate as 3.5/5 (above average) or 4/5 (good). Agents of Shield had plenty that good. I stopped watching it because it failed to have any classic episodes (5/5) and only a couple that were near-greatness (4.5/5) – and because it wasn’t improving (and because the season as a whole was disappointing, even if the individual episodes were generally fine to watch). In a 22/23/24 episode season you expect better – i mean in general half of the episodes per season that Flash or Arrow produce are of very high quality – impressive for a series that long. So how did Gotham fare? Well i gave 6 episodes 4.5/5 – these were generally episodes that were part of the main season arc and had a compelling main villain. The season as a whole felt a bit disjointed (mainly because the network extended the season several times) – two recurring characters basically disappear without comment after episode 10. A few mid-late season episodes feel like they are just killing time to the finale (especially Fish Mooney’s plotline). But it still fits together better than Agents of Shield (because it’s main storyline was more compelling) and Arrow Season 3 (which was too drawn out even if it had some great episodes).

Overall, Gotham has given us some great versions of Batman villains (i can’t think of better versions of Penguin, Riddler or Victor Zsasz), some colourful mob bosses, and a main character who is easy to root for. Yes, it’s pacing isn’t always spot on, the season wasn’t a cohesive whole (mainly because it kept getting extended) and i hope we’ve seen the last of OTT Fish Mooney, but overall i was pleasantly surprised by Gotham’s first season.

Series Rating: 4 out of 5

Much better than Agents of Shield, but still not quite up there with Flash and Arrow. Still a must see for DC/Batman fans. Can’t wait for season 2.