After a few gaming related updates, I felt like doing a more film/tv focused one, so without further ado, here’s my favourite 5 writers and directors from TV and film.
Top 5 Writers:
5: The Duffer Brothers (Stranger Things): I have to give the Duffer Brothers credit. When new sci-fi shows are constantly failing to deliver (Star Trek: Discovery, Lost in Space, Chibnall’s version of Doctor Who) or failing to connect with audiences (Netflix’s Nightflyers and Another Life) Stranger Things has delivered 3 seasons running, and that’s largely due to their excellent writing producing great characters, engaging storylines and genuinely funny comedy. Stranger Things may not be all that original, but it is consistent in its quality and entertainment value, so the two of them have to make it onto this list, seeing as they have written the majority of episodes thus far.
4: Joel Fields and Joe Weisburg (The Americans): Given that the Americans is arguably the best and most consistently written show this decade, I had to put the two lead writers on this list. Between them Joel and Joe wrote all of the premieres, finales and a lot of other episodes in between, including some of the ones with the largest plot developments. If you’re yet to catch this remarkable (if very slow) TV spy thriller, then the writing is the main reason i’d recommend checking it out. Character development is consistent and nuanced, the plot doesn’t suddenly veer into left field for no reason, and of the 6 seasons, 5 are fantastic and the remaining 1 (season 5) is still good, if uneventful. Only the fact that these writers haven’t worked on much else yet prevents them going further up the list.
3: Robert Holmes (Classic Who, Blakes 7): I like sci-fi, even old sci-fi like Classic Who and Blakes 7 where the special effects are neither special nor that effective. Old sci-fi had to rely on writing and acting to keep people invested, and there was no better TV sci-fi writer in the 70’s and early than Robert Holmes. If you see classic Who episodes on Top 10 or Top 20 lists in Doctor Who Magazine or online websites, odds are there are Holmes’ ones. He didn’t write all the best episodes, but he wrote an awful lot of them. Who’s debt to him is enormous, and that doesn’t just stem from him being the scriptwriter during the shows most popular classic period (1974-1976, i.e. Tom Baker’s first three seasons). He created the Autons and the Sontarans, introduced the Third Doctor and the Master and wrote Peter Davison’s fantastic regeneration story: The Caves of Androzani. His work on other sci-fi shows like Blakes 7 (where his story Orbit ranks as one of the darkest and best) shows he wasn’t a one trick pony. Russell T. Davies has often highlighted Holmes as one of his favourite Who writers, and for once I must agree with RTD. The man was a legend in all things Who, and the show was all the poorer for it after Holmes tragically passed away in 1986.
2: Phoebe Waller-Bridge (Fleabag, Killing Eve): Anyone responsible for two of the best new shows in the past few years has to be a great writer. Waller-Bridge’s trademark dark humour and quirky yet believable characters has proved an award winning mix twice now, first with Fleabag and then with Killing Eve’s first season. The news that Waller-Bridge has been drafted into to work on the final Daniel Craig Bond film has got me far more interested in what the eventual film can deliver. Both as an actress and a writer, Waller-Bridge is a hit right now, and anything she writes is going to be something people take note of. Her status as a rising star wins her the second spot on this list, but who knows? If I rewrite this in 5 years, she may top it the rate she’s shooting to stardom.
1: Steven Moffat (Doctor Who, Coupling, Sherlock, Jekyll): It’s was always going to be Moffat. Being head writer for one of my favourite shows was one thing, being lead writer for four of them is another. Moffat’s ability to write complex, engaging stories with high quality comedy, horror, suspense and drama makes him easily my favourite writer for television. He has the odd weakness as a showrunner, but his writing is very hard to fault. Just look at the episodes he’s written for Doctor Who: The Empty Child, The Girl in the Fireplace, Blink, The Eleventh Hour, The Day of the Doctor, Listen, Heaven Sent, World Enough and Time… they are all masterpieces. His hit rate is astonishing (and all the more impressive given the clusterfuck the shows been since he left). Sherlock and Jekyll are great shows in genres I don’t normally follow, and Coupling still ranks as one of my favourite comedies. So Moffat has to take the top spot. Other writers like Waller-Bridge may eventually surpass him, but Moffat’s consistency and great run of hits mean he’ll be my favourite for a while yet.
Top 5 Directors:
5: Antony and Joe Russo: (The Winter Soldier, Civil War, Infinity War, Endgame) The Russo brothers are responsible for pretty much all of the best MCU films, and were a step up from Joss Whedon as the showrunners for the main avengers films. Direction in the MCU is very haphazard – especially during fight scenes – Black Panther looked downright terrible at points in its third act because of bad direction coupled with weak CGI (those stupid rhinos), while Spiderman Homecoming’s major flaw had to be its fight scenes. You don’t get those problems with the Russo brothers – The Winter Soldier is arguably the most grown-up and best put together film in the series, while Civil War, Infinity War and Endgame were all exceptional Blockbuster epics, and I can’t remember any scenes where I’d change one thing about the direction. A very safe pair of hands – and ones who consistently deliver.
4: Ron Howard (Rush, Angels and Demons, Apollo 13, Frost/Nixon) Howard’s not the best director in the world, but he’s up there. Just look at the types of films he’s been responsible for – historical biopics like Rush and Frost/Nixon, thrillers like Apollo 13 and The Da Vinci Code and big budget space heist movies (Solo: A Star Wars Story). He’s a versatile director who doesn’t just stick to one genre. He’s been responsible for some of my favourite movies and while he’s had the occasional misstep (his adaptation of Inferno for example) he knows how to make entertaining films and is very consistent at doing so. It helps that he seems to have Hans Zimmer on speed-dial – the two have collaborated a lot, and its a pairing that works – as is Howard and Tom Hanks, who’ve worked together frequently many times to great effect.
3: Rachel Talalay: (Doctor Who – Heaven Sent, Dark Water, Twice Upon a Time, World Enough and Time). Doctor Who’s directors have always been a mixed bag – particularly towards the end of the Moffat era and the transition to the garbage that is Chibnall’s current reign. One who always shined regardless of the material she was given was Rachel Talalay. Just look at the episodes she directed – there’s a reason Moffat kept trusting her with his series finales and Capaldi’s final episode. She excels at delivering the darker, weightier, scarier instalments of Who. So many great scenes (such as the Missy Reveal, Breaking the Wall and The Master’s return) owe a lot to her standard of direction. In a way its a pity she only came in at series 8 – the 50th anniversary in her hands might have been even better than it already was. That’s how good she is!
2: Miguel Saponchik: (Game of Thrones – Hardhome, Battle of the Bastards, The Winds of Winter, The Bells) Game of Thrones had some excellent directors during its run, whatever you think of the writing. But the most amount of credit has to go to Saponchik, who directed some of the shows most ambitious and memorable battle sequences. The White Walkers’ attack on Hardhome, Jon Snow’s battle with Ramsay, Cersei blowing up the Sept of Baelor, The Night King’s assault on Winterfell and Daenerys’ destruction of King’s Landing – all were brought from script to screen by this guy, who managed to produce battles worthy of cinema on a fraction of the budget a blockbuster film would have. Can’t wait to see what he works on next.
1: Christopher Nolan: (The Dark Knight Trilogy, Interstellar, Inception) It had to be really. Nolan is renowned as a director and filmmaker and there’s a reason fans are constantly badgering him to have a crack at a Bond Film. He’s one of the few director you can honestly say has never made a bad film, and might even be the only one who has ALWAYS made great or amazing ones. The Dark Knight trilogy is what he’s most known for, and rightly so, but his other films like Dunkirk, Inception and Interstellar have all got warm receptions from critics and audiences. If he has a weakness its shooting hand-to-hand fight scenes (this is the sole weak point in Batman Begins), but his grasp of action scenes in general is amazing. Ultimately, this is the man who made Batman cool again after Joel Schumacher nearly killed the character’s status off for good in 1995. Nolan’s amazing track record coupled with the fact he’s responsible for 3 of my favourite films means he was always going to come top of this category, and I doubt many people will disagree with that.