Category Archives: Marvel TV

The Best and Worst TV of 2018

So, after films, we’re onto TV. I’m not going to run through all the stuff I’ve seen for this one, mainly because I’ve not caught up with a lot of US TV shows like Arrow and Legends of Tomorrow, so I can only review half the episodes from this year. Bear in mind I’ve not seen some of the best received stuff this year (The Bodyguard, A Very English Scandal etc.) so this is basely solely off what I’ve seen and is my opinion, not a definitive list! Feel free to comment your own best/worst shows below.

I’ll try to keep this as spoiler free as possible.

Top Five:

1. The Americans (Season 6) – The best way to some up the quality of this sublime spy drama set in the cold war is as follows: even if Game of Thrones absolutely nails Season 8 next year with battle scenes above Lord of the Rings intensity and standard, I’ll probably still name The Americans as the TV show of the Decade. It’s been that good. It’s had 5 great seasons and 1 that was merely good, but that’s still a better hit rate than any other six season show I can think of. I’ve given perhaps one episode in its entire run 3.5/5. Everything else has been 4/5 or (usually) even higher. The final season somehow managed to ramp things up a gear while still remaining the slow burning tense classic its always been. Not only did it use the masterstroke of having lead KGB spies Philip and Elizabeth on opposite sides for most of the season, but we finally saw FBI agent Stan Beeman close in on them, leading to an electrifyingly tense and devastating finale, as the Jennings finally had to face the consequences of their actions. It didn’t tie up all lose ends, but this show has always been too clever for that. After all, how many spy operations do you think have a definite, clean ending? Either way, it was utterly unmissable television, and while its one for the connoisseur rather than the mainstream, it still seems a shame that most people still haven’t had a chance to see it.

2. I’m a Celebrity (UK Series 18) – I’m not normally one for reality TV, but this had such a good line-up that I just had to give it a go. I do like I’m a celeb, but usually they have truly detestable celebs on there, like Katie Price or Gemma Collins, so I’ve avoided it for the past few years. This year though, has to be the best run the shows ever had in the UK. Not only did we have Harry Redknapp turning himself into a true national treasure with his stories, but we had Anne Hegerty battling against the odds to overcome some deep personal challenges. The show was largely heart-warming because everyone there was genuinely pleasant for the most part. Even Noel Edmonds, who you could tell was only brought in to stir things up, proved to be a pretty nice guy for most of the run. Even more surprisingly, the celebs were all very good at the trials – I don’t think I’ve ever seen this many full houses of stars! Though admittedly, they were amusingly awful at the dingo dollar challenges. The best thing of all though, had to be the cute friendship between John Barrowman (who had a song for every occasion) and Emily Atack (who was adorably cute and mischievous). If 2018 needed something, it was definitely this series, which for a few blissful weeks almost made you forget about Trump and the mess being made of Brexit.

3. Orange is the New Black (Season 6) It may not have been OITNB’s best season, but it was still Netflix’s top effort this year. Throwing all the inmates into maximum security really allowed the show to mix this up with a tenser atmosphere and some new inmates and guards. With the usual mix of comedy, dark storylines and romance (including some very surprising pairings – who’d have thought 5 years ago that Caputo and Fig would be the easiest couple on the show to root for?). ‘Badison’ made one of the show’s most detestable villains in years (probably the nastiest one since Vee in season 2) and the shows closer focus on some of the characters really allowed them to shine more than normal (Daya, Freida and Nicky in particular). Ultimately, it could have had a better overall plotline, but its set the stage for the final season well enough to scrape into my top 3.

4. Big Mouth (Season 2) Easily the funniest show on Netflix at the moment, Big Mouth is a hilarious send up of puberty that only an animated show could get away with (for obvious reasons). It has its share of family guy-esque gross out comedy and your typical teenage awkward humour, but what makes this unique is the fact it takes time to focus on both genders difficulties (usually these kind of comedies only go with one or the other) and actively personifies those awkward, stupid teenage impulses in the form of ‘hormone monsters’ who actively encourage the characters to ask each other out or to do any number of stupid things, usually with hilariously destructive or embarrassing results. It may sound ridiculous, but its worth a shot and will probably have you poking fun at your own awkward teenage experiences subconsciously – while answering all the questions you’d wished you’d had answers to ten years ago. 

5. Jessica Jones (Season 2) Despite the lack of a signature villain to rival David Tennant’s Kilgrave, Jessica Jones managed to be the most compelling superhero show this year (bearing in mind that I don’t watch Daredevil). Krysten Ritter remains one of the best actresses in Netflix’s employ, and Jessica’s self-destructive tendencies remained firmly in sight this year, particularly with Trish, Malcolm and Hogarth all having various crises of their own around her. Trish really became one of the most hateable characters on TV this series, and whether season 3 pulls off one hell of a redemption story or has her go full villain it’ll be interesting to see. The icing on the cake though, had to be Jessica’s Kilgrave hallucinations in episode 11. It was great to have David Tennant back even for just one episode, and having him play the devil on Jessica’s shoulder was a stroke of genius! Sure the first episode wasn’t great and it was still 2 or so episodes too long, but overall the series was less padded than arrow verse shows, more interesting than Luke Cage and less ridiculous than Gotham or Black Lightning.

Bottom Three:

3. Lost in Space (Netflix) – Netflix’s Lost in Space remake looked amazing, but felt hollow. It was billed as old-fashioned sci-fi, and to be honest that’s what it felt like. It was an adventure with plenty of threat and peril, but little substance or innovation. The cast worked well for the most part, even if Parker Posey’s Dr. Smith was an underwhelming villain. It was well directed and had good special effects, but ultimately, it was a very forgettable ride. Netflix can do a lot better.

2. Doctor Who Series 11 (BBC One) – Oh god, where to start with this one. How to ruin a 50+ year old show in one series? The most miscast actress possible in the title role? How to lose all the shows’ hardcore fans in a single series and achieve an audience score of 28% (and FALLING!) on Rotten Tomatoes? This isn’t Doctor Who. Its a Politically Correct Nightmare of ham-fisted dialogue, woeful villains, weak companions and patronising themes. Chris Chibnall shows his mishandling of Torchwood Series 1 and 2 was no accident – he’s even worse here. Bradley Walsh is the sole redeeming factor, but he can’t save this mess by himself. If you get past episode 5 without giving up, you’re probably a masochist or someone who’s never seen the show before. Utterly dire.

1. Britannia (Sky) – This is one mindf*ck of a show. Set during the Roman Invasion of Britain, it features a heavy emphasis on the Celts’ reaction to the Roman threat and the druids’ influence over the Britons. It has an all star cast, including Zoe Wanamaker, David Morrissey and Ian MacDiarmid, but its just so weird. The plot makes no sense, the supernatural elements feel decidedly out of place, the theme music is dire and some episodes are a real slog to get through. You might be intrigued by it initially, but honestly don’t bother. Its a total waste of your time.

Best Actor: Matthew Rhys (The Americans)

Best Actress: Krysten Ritter (Jessica Jones)/Keri Russell (The Americans)

Best Supporting Actor: Mustafa Shakir (Luke Cage)

Best Supporting Actress: Selenis Leyva (Orange is the New Black)

Best Special Effects: Lost in Space

Best Animated Show: Big Mouth

Best TV Show: The Americans

Best Episode: The Americans – Dead Hand

Best Writing: The Americans

Best Soundtrack: The Americans

Best Theme Tune: Big Mouth

Best Direction: The Americans

Best on-screen pair: Emily Atack and John Barrowman (I’m a celebrity)

Best Hero – Jessica Jones

Best Villain – Bushmaster (Luke Cage)

Worst Hero: The 13th Doctor (Doctor Who)

Worst Villain Tzim-Shaue/Tim Shaw (Doctor Who)

Worst Actor: Nikolaj Lee Kaas (Britannia)

Worst Actress: Jodie Whittaker (Doctor Who)

Worst Supporting Actor: Tosin Cole (Doctor Who)

Worst Supporting Actress: Parker Posey (Lost in Space)

Worst Writing: Chris Chibnall (Doctor Who)

Worst Episode: Britannia – Episode 7

Worst Soundtrack: Britannia

Worst TV Show: Britannia

 

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Luke Cage: Season 2 Review

Starring Mike Colter, Rosario Dawson, Mustafa Shakir, Theo Rossi, Alfre Woodard, Reg. E. Cathey, Simone Missick and Finn Jones.

Spoilers for Season 1. Minor Spoilers only for Season 2.

I really wasn’t a fan of Luke Cage after season one. By which I mean the show, not Mike Colter’s character. Colter has always convinced in the role ever since he first appeared on Jessica Jones’ first season. But aside from several good acting performances (by Colter, Mahershala Ali etc.) Season 1 was very, very disappointing, and in my opinion, was one of the most critically overrated TV series (I’d give it a 2.5/5). Sure, it was a landmark event in that it was the first Superhero TV show centred around a Black Superhero and a majority Black Cast. But this doesn’t automatically make it good television, no matter how powerful its message is. It had a unique feel, sure, with a soulful soundtrack that worked wonderfully, but I wouldn’t have recommended it to anyone.

Luke Cage had three major issues in S1: its pacing, its villains and a failure to use its hero in an interesting way. Luke was often too sidelined in favour of the supporting characters throughout the first season, and his whole ‘reluctant hero’ schtick really wasn’t that interesting a character arc – it just made him seem selfish and jaded and didn’t let Colter’s natural charisma show the way it did in Jessica Jones and the Defenders. Worse, the nature of Luke’s powers meant he was completely invulnerable for the first 6 episodes, but then once a weapon that hurt him was introduced in episode 7, he kept going down far too easily (i.e. the familiar Superman/Supergirl problem). The shows pacing was all out of whack, as is usual with Marvel’s Netflix shows, and was definitely 3 episodes too long. The biggest problem, however, was the villains. S1 had 4: Cottonmouth, Diamondback, Shades and Mariah. Although the actors did their best with each of them, we never got any reason to care about Shades or Mariah, who were really bland throughout, Diamondback was very OTT and had a really hackneyed origin story (Luke’s resentful brother, I mean seriously??! talk about cliched) and Cottonmouth (the only decent one) was killed off halfway through.

I gave S2 another chance because, as I said, I like Colter’s performance and figured the show could do a lot better. Has it?

Yes it has. Thank God!

Luke is a much, much more interesting lead this season. He grapples with more compelling themes, struggling with anger issues, his newfound celebrity status, and his desire to do what’s right even when he knows he could solve Harlem’s problems more quickly by just killing Mariah or working outside the law. While he still feels a bit too sidelined at times, the screentime Luke does get is put to much better use. Colter clearly relishes the role he’s playing this time, whether its sparring with Claire and Misty over his methods or trying to reconnect with his estranged father (marvellously played by the terrific late Reg. E. Cathey, who the series is dedicated to).

The writing has also improved a lot, mainly because it focuses a lot more on character work, so that even when the plot slows up we still get some compelling scenes. The racial politics and progressive messages are still there, but are included with far more nuance, and aren’t so jarringly on the nose as they were in season one. As Black Lightning proved, these things work far better when they are simply shown, rather than being patronisingly spelt out for the audience. In other good news, the supporting characters this season (Sugar, D.W. Piranha, Comanche, Tilda, Anansi) are all much more interesting than Misty, Scarfe or Shades were last season. Thankfully, Misty is a much easier character to like this time round, simply because she’s clued in and on Luke’s side from the start. Even more surprisingly, Shades becomes one of the shows most intriguing characters this season, as Theo Rossi gets much better material to work with and gets the chance to really show his talent as an actor. Alfre Woodard gets a better storyline as Mariah as well, as the show does a better job of transforming her into a main villain, though arguably it gets too focused on her in the latter episodes of the season.

The show’s biggest strength, however, has to be new villain Bushmaster. Not only is this villain capable of going hand-to-hand with Cage (something which Mariah, Shades and Cottomouth were handicapped by their inability to do), but he’s also played with great charisma by Mustafa Shakir, who turns Bushmaster into one of the most memorable villains in Marvel TV (he’s virtually Tennant as Kilgrave good, and that’s the highest praise I can give). His fights with Luke are highlights of the season, and the fight choreography in general seems to have taken a massive step up this year – you’ll never get bored of Luke smacking down thugs or going toe-to-toe with Bushmaster, who is the first character to ever pose a genuine physical threat to Luke. It’s just a pity that Bushmaster gets sidelined in favour of Mariah in the last few episodes of the series, as he was definitely the stronger adversary of the two.

The series still isn’t perfect however. While it feels like you could get 13 episodes of story from the plot, each episode weighs in at 50-65 minutes, so the episodes do feel stretched out in places, normally because police incompetence or Luke’s reluctance to kill keeps some villains in play longer than they need to be. If you fancy a drinking game, have one everytime there’s an interlude mid-episode for a musical performance at Harlem’s paradise – it happens like every bloody episode and probably adds at least a good half-hour of runtime over the season. There’s also an Iron Fist crossover episode, which has its moments, but feels more like fan-service than actually adding anything to the plot (though I’m happy to say Finn Jones is much more likeable as Danny Rand now).

Overall, the shows character-driven scripts and cool fight scenes, in addition to a more subtle and nuanced approach to its political message, make this a huge improvement over season 1. However, it still feels stretched out and arguably focuses on the wrong villain in the final few episodes. Despite this, its probably up there with Jessica Jones’ second season in terms of quality, so I’ll give it the same rating.

Rating: 4 out of 5

Final Thought: Make sure you watch S1 of the Defenders before you watch this, because there’s a lot of references to the events of that crossover series here, particularly regarding Misty and Danny Rand’s role in events.

Jessica Jones Season 2 Review

Starring Krysten Ritter, Rachael Taylor, Eka Darville, Carrie-Anne Moss and Janet McTreer.

Warning: Minor Spoilers Follow for Season 2 and Major Spoilers for Season 1

Jessica Jones is easily the most interesting of Marvel’s TV superheroes. Her first season was gripping in a way that Luke Cage and Iron Fist never came close to. Yes, it was three episodes too long (like almost ALL Marvel Netflix productions – even the 8-episode Defenders had that problem) but for the most part it was very engaging stuff, helped immeasurably by Krysten Ritter’s tortured ‘not-a-heroine’ Jessica and David Tennant’s chilling villain Kilgrave. The series 1 finale saw Jessica finally get the upper hand and snap Kilgrave’s neck, which begged one obvious question: how the hell do you follow David Tennant as a villain?

Season 2’s answer is to have multiple antagonists. Between dickhead lawyer Pryce (Terry Chen), fellow Metahuman Alisa (Janet McTreer) and scientist Karl (the one who gave Jessica her powers) there’s a lot of potential bad guys floating around. But, unlike the black and white films Marvel is so fond of, there’s a lot of grey here. Jessica, Trish and Hogarth all go to some pretty dark places this season, while none of the villains are the out-and-out monster Kilgrave was. This helps keep the season somewhat unpredictable, even if none of the new characters come close to being as memorable as Tennant.

Fortunately, even if the show can’t live up to season 1’s villain, it does fix a lot of that season’s other problems. The pacing, while slow for the first few episodes, never feels padded out in the way season 1 was. There’s actually 12-13 episodes worth of story to tell here, not 8-10 stretched out like was the case last time. The show also cuts out some of the slack from season 1 (Simpson’s role in events is minimal but effective, Hogarth’s storyline actually leads somewhere) and develops the supporting characters a lot more (Trish and Malcolm have very different season long journeys, while the Jessica who comes out of episode 13 is definitely not the one we see in episode 1). The show also gives Jessica a new love interest who is a really good replacement for Luke, which I wasn’t expecting. The various plot twists don’t derail things the way they scuppered Luke Cage’s last season either, even if the mid-season twist is equally cliché.

Its not all good: the first episode is pretty dreadful, the season’s arc takes a while to become clear and Hogarth’s storyline isn’t always engaging, but overall I think I actually preferred this to season 1. Even if Tennant’s involvement is minimal, the season is much better structured and the production, direction and writing are all pretty consistently strong from episode 2 onwards. If you like darker, more meaningful superhero shows that feature actual detective work and real consequences, Jessica Jones is still the only Marvel offering worth looking at… well unless you happen to find Daredevil interesting (I don’t but I know plenty of people do).

Rating: 4 out of 5 (I gave the first season 3.5/5)

Next up: My review of the second season of ‘A Series of Unfortunate Events’. Or Black Panther if I finally find time to see it.

Marvel: The Defenders Review

Starring Charlie Cox, Krysten Ritter, Mike Colter, Finn Jones and Sigourney Weaver.

Contains Minor Spoilers.

I should say before starting that I’m not a massive Marvel TV fan. I liked Jessica Jones, despite its overlong runtime, but thought Luke Cage was a wasted opportunity. I didn’t watch Iron Fist because it got savaged in reviews, nor Daredevil because the character doesn’t interest me (thanks, but if I want Vigilante Justice I’ll stick to Batman or Green Arrow). Ultimately though this wasn’t a massive problem (I read a brief summary of Iron Fist first and that sufficed) as all the plot points from Daredevil and Iron Fist are brought up during Defenders dialogue anyway, so its pretty easy to get up to speed. Obviously you’ll get more out of this if you’ve seen all four of its predecessors, but as long as you’ve watched at least 2 of them I’d say its perfectly accessible.

The other Marvel shows on Netflix suffered because they were 13 episodes long, at least 3 more than needed in both Jessica Jones and Luke Cage’s case. The Defenders solves this problem by only being 8 episodes long, and although it’s initially a slow-burner (you don’t see the 4 heroes all interacting together until episode 3 and 4) it feels appropriate. The interaction between the four is definitely the highlight: Luke and Danny make a surprising good pairing, while Jessica holds her own and remains the most stand-out of the four. Luke is far better here than he was on his own show (as Jessica Jones proved, Luke works better as a co-star rather than a leading man) and from what I’ve heard about Iron Fist Danny is similarly improved by being one amongst equals rather the focus of everything. Charlie Cox gives a fine performance as Daredevil, but his reluctance to get back in the suit is something we’ve seen again and again in Superhero stories (Spider-Man 2, Superman 2, The Dark Knight Rises, Arrow etc.) and makes him the least engaging to watch.

Several supporting characters return from the individual shows, though most don’t do an awful lot, with four exceptions: Foggy, Misty, Claire and Colleen. While Claire and Colleen merit more screen time than they get here, Misty’s presence brings back a few of the issues that dragged Luke Cage’s show down. The Police vs. vigilantes conflict is downright tiresome at this point, and Misty’s interactions with Jessica are just frustrating. The final episode renders the whole going above the law issue pointless, something which is irritating when you could have easily cut an episode’s worth of padding out without this plotline.

The villains suffice but don’t really steal the show the way David Tennant’s Kilgrave did in Jessica Jones. Sigourney Weaver is obviously good, but  her character is ultimately too sidelined in the second half (another problem familiar to Luke Cage fans) and the rest of ‘The Hand’, while getting a handful of cool fight scenes, aren’t much better. Speaking of fight scenes, this is where the Defenders soars. Several of the heroes clash with each other in beautifully choreographed sequences, while the group fights against the villains are also a treat, even if you never really believe the heroes are in danger (this is Marvel after all…). The direction as a whole is superb, and the show is nicely complimented by the musical score. The acting is consistently good, as is the production, but ultimately, like EVERY Marvel TV series, the writing lets things down a few too many times. The Defenders is better than Luke Cage and about equal to Jessica Jones, but falls short of DC shows like Arrow, Gotham or Legends of Tomorrow.

Overall its entertaining but carries over a few problems from previous series, and the last few episodes are riddled with plot holes. Classic Marvel: high on spectacle, low on substance, despite its pleasingly adult tone and superb direction.

Rating: 3.5 of 5

Given how good Jessica and Luke were here, I’ll keep going with their shows. Danny and Colleen were engaging enough that I may give Iron Fist a shot, but The Defenders didn’t change my opinion on Daredevil. Still not interested.

Ultimately while the Defenders is cool, Marvel still has a long way to go before they match DC on TV. This was a step forward though.

My Top 10 TV Shows of 2016

I only did a top 5 last year but I felt I’d watched considerably more this time, so a top 10 seemed more appropriate.

Minor spoilers for all shows – no real specifics though, don’t worry.

10. Gotham (Season 2 Part 2/Season 3 Part 1) Gotham has often been considered the problem child of the DC universe – it isn’t part of the Arrowverse or the movies and thus sits awkwardly in the middle. Its tone tends to be wildly uneven – one episode gave us the hilariously OTT ending of Butch blowing up a villain with a Bazooka while another had the incredibly tense sequence where the Mad Hatter forced Jim to choose which of his two love interests was shot. However, this year has seen arguably its best run of episodes yet, with a superb Mr. Freeze origin story, a very sweet romance between the teenage Bruce and Selina, a great main villain in season 3 in the Mad Hatter and the winning combination of Penguin and Riddler, who are arguably the best villains on any superhero show right now. The show has miss-stepped a fair few times (the godawful Gordon in prison episode, two lacklustre season finales) but overall its showing great promise, and the first six episodes of season 3 were simply amazing.

9. The Grand Tour (Series 1) Clarkson, Hammond and May’s return may be a mixed bag of the hilarious and the cringe worthy, but overall its been a very welcome addition as well as the main reason to fork out for Amazon Prime. There’s been a few duff moments (particularly in the second episode ‘Operation Desert Stumble) but overall its given us all of the comedy, cars and catastrophe we wanted. It goes without saying, its completely trounced (and savagely mocked) the travesty/pile of excrement which was the Chris Evans version. Serves the BBC right.

8. IZombie (Season 2 Part 2) Anyone who’s not tried IZombie due to the stupid sounding title should really give it a second thought. The unique plotline it has (Zombies gain temporary memories/personality traits from the brains they eat, which allows main character Liv to solve the murders of people who end up in the morgue she works in) really opens up a wealth of storytelling potential, while also leading to some great comedy (the episodes where Liv eats the brain of an erotic novelist spring to mind, though there’s plenty of others with great comedy from similar ideas). The second half of season two in particular ramps up the drama element as more of the main cast find out about Liv’s true nature and the company that created the Zombie outbreak comes under the spotlight. Roll on season 3!

7. The Great British Bake Off (The final series that anyone will bother watching) Second only to the terrible Top Gear reboot in the list of BBC cock-ups this year was the loss of Bake Off to Channel 4 (seriously, who the fuck will watch it with no Mel, Sue, Mary as well as having to put up with sodding ad-breaks). I may have been a late-comer to the series, but the sheer charm of it all won me over and as it is it’s unofficial swansong, I thought i’d include it in my list. Full of the brilliant Mel/Sue interplay with the contestants, lavish desserts and culinary disasters (Andrew forgetting to put the oven on was hilarious) it also gave us a real character in Selasi (to cool to put into words) contestants who were easy to root for in Andrew and Benjamina and my personal favourite, pout-queen Candice Brown (too sweet for words – simply adored her!). This series was the perfect send off to a teatime treat of a show.

6. Legends of Tomorrow (Season 1 Part 2/Season 2 Part 1) The Arrow/Flash spinoff took a few episodes to get going in 2015, but it blew it out of the park in 2016 and surpassed both its parent shows (I sense a pattern emerging – expect Supergirl to be high on this list next year!). The first season gave us a thrilling climax as the team contended with the time masters and Vandal Savage, and the second gave us one of the best supervillain team ups in history as Malcolm Merlyn, the Reverse Flash and Damien Darhk joined forces (Legion of Doom!!!) It also has some of the most colourful characters from the Arrowverse in anti-heroes Snart and Mick (Captain Cold and Heatwave), Captain Rip played by Rory from Doctor Who!! (usually amusingly muttering ‘oh bloody hell…’ as the teams plans fall apart every week) and Sara/White Canary, who continues to be one of my favourite superhero characters (who else can seduce both the Queen of France and girls in Salem in the same episode? Her becoming temporary captain also really gave her character some great material this year. A very silly superhero show, but isn’t that just what we need after 2016?

5. Black Mirror (Series 3) The first of 3 Netflix series in my top 5, Black Mirror’s move from channel 4 to Netflix looks increasingly inspired. Not only has it got rid of ad-breaks and freed up the episodes running time, but increasing the series length to 6 episodes seems to have improved the quality rather than detracted from it. Even weaker episodes like ‘Playtest’ are still worth watching, while there’s some classically dark instalments with clever stings in the tail like ‘Shut Up and Dance’, for those who want more of what series 1 and 2 gave us, as well as new concepts and episode formats. The highlight for me, has to be ‘San Junipero’, sad and heartwarming in equal measure and a very neat sci-fi idea. Overall though, its a sublime run of episodes and well worth your time.

4. Game of Thrones (Season 6) Thrones might not have had a particularly consistent run of episodes (a real slow-burner mid-season with a bit too much padding, particularly in the Arya and King’s Landing storylines) but who cares when it still gave us exactly what we wanted in a kick-ass and explosive finale, a scintillating clash between Jon Snow and Ramsay, Daenerys being awesome for the first time in a while and the sheer horror of the white walkers attack leading to the tearjerking ‘Hold the Door’ moment. If season 7 can keep up the work of episodes like ‘Home’, ‘Battle of the Bastards’ or ‘The Winds of Winter’, then we’re sitting pretty for a thrilling penultimate series.

3. Orange is the New Black (Season 4) Orange is the New Black has got stronger every season and the fourth series doesn’t buck the trend. Despite being arguably one of the darkest series we’ve had from the scriptwriters, it balanced comedy and tragedy as effectively as ever. Any series that combines tear-jerking mental health plotlines and that horrifying twist at the end of episode 12 with laugh out loud moments such as the unlikeliest threesome probably ever seen on TV (I won’t spoil it, its so much better if you aren’t expecting it) is clearly onto a winner. Well done OITNB, yet again you’ve been one of the Netflix highlights this year. Just not as good as…

2. House of Cards (Season 4) After a mixed third season, House of Cards turned things around and delivered what may be its best season so far. Kevin Spacey and Robin Wright’s acting was first class as always, but this time the writing was on par with their performances as the shows version of the US presidential election provided great drama and plenty of shock narrative twists. The way they utilised characters from previous seasons like ex-president Walker, Lucas Goodwin and Raymond Tusk was both expertly done and a real treat for long-term fans. I’ll credit them for not simply caricaturing Trump and Clinton either, instead giving us Joel Kinnaman’s Republican candidate Will Conway who seems like the ideal potential president, but has weaknesses/flaws that become apparent over the season, and was a far more engaging type of figure for Francis to face off with as he was continually at a PR disadvantage. Bring on season 5!

1.The Americans (Season 4) The most consistent series on television was a stand-out this year as the Russian spy pair/American married couple dealt with more problems than ever before as their lives increasingly teetered on the edge of unravelling. Dylan Baker was the stand-out guest star as a Soviet sympathiser working in an American viral lab, while the main cast was as great as ever, particularly Matthew Rhys, Keri Russell, Frank Langella and Alison Wright. The Jennings had to deal with their daughter’s struggle to accept their true identity, the loss of one of their closest informants and missions they worth becoming increasingly uncomfortable with. A slightly lacklustre season finale aside, it was a flawless run with several shock character exits and plot twists, can’t wait for the final two seasons of this thrilling if slow-burning drama.

Missing out on the list was Arrow (still rebuilding after a so-so year), Flash (ditto, Zoom was the most disappointing villain I’ve seen from DC’s TV universe), Red Dwarf (promising but not back to its best yet) and Jessica Jones (too much padding). There are some shows I haven’t got round to watching yet (Supergirl and Westworld for example) and some I just don’t watch (like Walking Dead).

As for the disappointments of the year, my worst offenders have to be the Chris Evans Top Gear (for obvious reasons – what a TWAT!), Doctor Who spin-off Class (very pointless – even Torchwood Series 1 was less awkward) and Luke Cage, which completely wasted its potential and contrived to make sure whichever style of show you like, you would hate half the season. (Congrats Marvel, you have made something worse than Agents of Shield… can’t you just give us Jessica Jones season 2 already?!)

My TV Awards 2016

Best Actor: Matthew Rhys (The Americans)
Best Actress: Krysten Ritter (Jessica Jones)/Robin Wright (House of Cards)
Best Supporting Actor: David Tennant (Jessica Jones)
Best Supporting Actress: Lori Petty (Orange is the New Black)
Best Episode: The Winds of Winter (Game of Thrones)
Best Hero: Sara Lance (Legends of Tomorrow)
Best Villain: Ramsay Snow (Game of Thrones)
Best Scripting: The Americans
Best Direction: Black Mirror
Best Soundtrack: Game of Thrones

If you’ve got your own list or disagree with mine, feel free to comment below. Happy New Year!

Jessica Jones: Season 1 Review

Starring Krysten Ritter and David Tennant

Looking for a quick Netflix binge or a new superhero fix? Jessica Jones might be just what you’re looking for…

Warning: Minor spoilers!

Marvel might have stolen a march on DC in film since the Dark Knight Trilogy, but thanks to Arrow, Flash, Gotham and Supergirl, DC’s pretty much owned the TV side of things. Or at least, it did whilst it’s only competition was the by-the-numbers and underperforming Agents of Shield. But Marvel has struck back. Agent Carter, Daredevil and Jessica Jones are three Marvel shows that have received critical acclaim, and as I had some time on my hands this summer, I decided to check them out, starting with Jessica Jones.

Jessica Jones isn’t your standard superhero TV show. She doesn’t wear a costume, have an alter-ego or superhero name, and the shows much more psychological than action-packed, and has a very noir feel, emphasised by the trippy opening titles and unusual, jazzy soundtrack. Jessica has some classic superhero powers (namely super-strength) but the show avoids the usual cliché of having a villain with similar powers for her origin story or first onscreen outing (aka like Superman and General Zod, Iron Man and Iron Monger, Green Arrow and Malcolm Merlyn etc.).

Instead we get Kilgrave (David Tennant) who might just be the most unsettling villain I’ve seen since the J0ker. His powers? Mind-control. He can compel others to do anything – be it throw coffee in their own face, kill someone they love or jump off a rooftop. Very few superpowered villains are terrifying simply by the nature of their powers – Kilgrave is an exception. Having a super-strong heroine go up against a villain who can effectively turn anyone in the whole city, her closest friends or even herself against her leads to a very tense 13 episodes. That said, he isn’t an entirely unsympathetic villain, his motivation and his past, once later episodes shed light on them, spark some pity for the man, helped in part by Tennant’s marvellous performance.

The acting in general is superb, Ritter makes Jessica a very complex heroine to root for – you won’t agree with everything she does in her quest to catch Kilgrave. The supporting cast all shine, particularly Carrie-Anne Moss as ruthless lawyer Jeri and Mike Colter as fellow superhuman Luke Cage.

The show as a whole is very dark – dealing with very adult topics such as suicide, rape, abortion and PTSD – sometimes you forget this is a superhero drama – anyone who wants the happy go-lucky feel of Marvel films, go somewhere else – this is properly compelling drama that only Winter Soldier and Civil War have come close to delivering. It has it’s lighter moments, particularly in the opening episodes, but overall this is something of an emotional roller-coaster.

So far all good. Issues? Well the show has a few. It’s 13 episode run-time feels undeserved – a few unnecessary plot developments could have been scrapped a delivered a much tighter 10 episode run. Will Simpson, a love interest of Jess’ surrogate sister Trish, has a plotline that really drags in the second half of the season, and even though it’s obviously setting something up for a second season it detracts from the main plot too much to have been necessary. The final showdown between Jess and Kilgrave is satisfying to watch but predictable. In general though, it was a solid first season and a sign that on TV at least, Marvel is willing to take risks with it’s storyline and characters.

Overall: Murky morals, an unsettling villain and a conflicted heroine makes this compelling viewing. It’s not a smash hit and won’t be everyone’s cup of tea, but its very much worth a look.

Season Rating: 3.5 out of 5 (would have been 4/5 if it hadn’t dragged out the story too long)

Reviews coming soon: iZombie – season 1 review, followed by Suicide Squad, Orange is the New Black Season 4 and iZombie season 2!