Category Archives: Marvel Films

Best and Worst Films of 2018

This is a run-through of all the films I have watched that were released this year – and a quick comment about each one, plus the rating I would give it. Films are ordered from worst to best. Needless to say, this isn’t a definitive list – there’s various films I haven’t seen this year (Aquaman, Venom, Into the Spider-verse etc.) but it includes all the ones I have managed to catch – either in cinemas or on Amazon/Netflix.

The Death of Stalin: I expected better from Armando Iannucci. I really can’t work out this film’s intended audience or why critics loved it so much. Its not funny enough to be a comedy, not cutting enough to be a satire and not believable enough to be historically accurate. The thing is wonderfully shot and well-directed, but ultimately that isn’t a big comfort. The cast by and large try their best, but Jeffrey Tambor is a total waste of space and the whole thing is just dull and uncomfortable.

Rating: 2 out of 5

Jurassic World: Fallen Kingdom: You know, after watching this, I’m glad Star Wars fired Colin Trevorrow. The film is pretty much your standard B-Movie: entertaining, but utterly ridiculous and so, SO STUPID in places. Still not the worst Jurassic Park Sequel (III will always be the series nadir – at least you’d hope so) but it came close. Its cast keep things watchable and the special effects are good, but the villains are way too cartoonish, the script laughable and the direction flat. Talk about a fall from grace.

Rating: 3 out of 5

Deadpool 2: Oh dear. I really wanted to like this one. In places, it’s up their with the first movie. Josh Brolin is great as cable and Zazie Beetz perfect if underused as Domino. But the rest of the cast are not on form – Firefist is a very forgettable villain, Morena Baccarin is wasted in a thankless and predictable role and TJ Miller is still the biggest waste of space in acting. It makes an effort to have a less predictable (if still cliched) plot than the first movie, but isn’t anywhere near as funny. The action sequences are better, but honestly, I’m not sure I’ll bother with the inevitable third film.

Rating: 3 out of 5

Slaughterhouse Rulez: The latest Pegg/Frost film gives the duo less screen time than normal, but the young cast by and large make up for it, particularly the wonderful Asa Butterfield. The script isn’t their best, but its still involving and funnier than some of their previous efforts (looking at you World’s End) if nowhere near their best work (Paul and Hot Fuzz).

Rating: 3 out of 5

Solo: A Star Wars Story: Once it stops pandering to its intended audience with on-the-nose fan service, this actually becomes quite an involving heist/action film. The cast are good value and the direction and soundtrack work well, but ultimately, it’s all a bit too predictable and lightweight. Alden does the impossible in actually playing Han Solo in a way that feels plausible but not a parody of Harrison Ford. Donald Glover nails Lando (who really should have been the main star in a spin-off) and Phoebe Waller-Bridge has a nice role as a comedic, rebellious droid companion of Lando’s.

Rating: 3.5 out of 5

Fantastic Beasts: The Crimes of Grindelwald: An entertaining if convoluted film. The cast all perform well, but the variable direction and an overpacked script let things down a bit. Depp and Jude Law are the standouts as Grindelwald and Dumbledore, and the final act is worth waiting for. Not bad by any means, but not one of JK’s best either.

Rating: 3.5 out of 5

Black Panther: A milestone for cinema, but a very overrated one. While the script was quite good, its execution could have been a lot better. With a forgettable soundtrack, predictable plotline and some of the worst CGI we’ve ever seen in a Marvel film, Black Panther was entertaining and thought-provoking, but nowhere near the classic some reviewers seem to have tried to frame it as.

Rating: 3.5 out of 5

Tomb Raider: While this didn’t prove video game films are good, it did prove they aren’t universally terrible. Alicia Vikander is perfect in the role of Lara Croft, and the film is well-structed and shot beautifully. That said, the script isn’t the most original, and the dialogue could definitely be better in places. Still a pleasant surprise though.

Rating: 3.5 out of 5

Avengers: Infinity War: Probably the most ambitious superhero film ever made, Infinity War is a bombastic crowd pleaser that mixes Marvel’s first truly great villain Thanos with tons of fan-service and excellent action sequences. Its still a Marvel film though, and pulls its punches too much and is hampered by very much being ‘part 1’ of 2, whatever the film’s title says.

Rating: 4 out of 5

Incredibles 2: It doesn’t match the original, but boy, they gave it a good go. Incredibles 2 features some of the best animation I’ve seen in a long time, and is a very engaging, slick ride. Its humour is on-point throughout, and while the villain doesn’t match Syndrome, the films plot and script have few flaws. Very entertaining stuff.

Rating: 4 out of 5

Ant-Man and the Wasp: Top of the pile again? Ant-man remains the best and most undervalued of Marvel’s franchises, with this funny, heartfelt sequel. Like the original, it takes 45 minutes to really get going, but once it gets there, its utterly brilliant. Paul Rudd remains an extremely likeable lead, and Evangeline Lilly is ever bit his equal. The villains aren’t that memorable, but for once, I didn’t really care.

Rating: 4.5 out of 5

Overall, I think its fair to say this hasn’t been a classic year for cinema. Most films I’ve seen have been underwhelming or distinctly average. The rule of increasingly inferior sequels has definitely reared its head again (aside from the odd exception like Avengers and Ant-Man). Here’s hoping for better in 2019. To finish off, here’s my awards for the standout actors, actresses, soundtracks and direction from films this year.

My Film Awards 2018:

Best Actor: Josh Brolin (Thanos/Cable)

Best Actress: Alicia Vikander (Tomb Raider)

Best Supporting Actor: Asa Butterfield (Slaughterhouse Rulez)

Best Supporting Actress: Letitia Wright (Black Panther)

Best Animated Film: Incredibles 2

Best Film: Ant-Man and the Wasp

Best Script: Black Panther

Best Director: Ron Howard (Solo: A Star Wars Story)

Best Special Effects: Infinity War

Best Soundtrack: James Newton Howard (Fantastic Beasts: The Crimes of Grindelwald)

Best Hero: Iron Man

Best Villain: Thanos

Worst Actor: Rafe Spall (Jurassic World: Fallen Kingdom)

Worst Actress: Amber Heard (Aquaman) – I haven’t seen this yet, but given her performance in the trailer, it seems like a sure fire bet. Also – I couldn’t think of anyone in the films I have seen who deserves it.

Worst Supporting Actor: TJ Miller (Deadpool 2)

Worst Supporting Actress: Brianna Hildebrand (Deadpool 2)

Worst Film: The Death of Stalin

Worst Script: Jurassic World: Fallen Kingdom

Worst Director: David Leitch (Deadpool 2)

Worst Special Effects: Black Panther

Worst Soundtrack: Avengers: Infinity War (Alan Silvestri)

Coming up next, my look at 2018’s TV highs and lows before I sign off the year with my take on the hit Video Games of 2018.

 

 

 

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10 Things to watch out for in 2019

Before I get to my traditional ‘Best of Year’ articles, I thought i’d take some time to do a preview of the likely hits that 2019 might give us. While this type of article is pretty common for this time of year, I’ve never done one before, but I thought I’d try my hand at it. So without further ado, here’s my pick of what films, TV and gaming to watch out for in 2019.

1.Game of Thrones, Final Season: Season 7 really upped the scale of events in Thrones and gave us cinematic battle sequences and long-awaited character interactions into the bargain. Now Season 8 has 6 hour-plus long episodes to wrap everything up. With the White Walkers finally past the wall, expect huge scale battles and significant character deaths. However it ends, its sure to be unmissable television.

2. Avengers: Endgame: Infinity War broke all kinds of records and finally, FINALLY delivered a truly great villain for the MCU. That said, it wasn’t a flawless film, even if it was extremely entertaining. But it set the stage for this: the final Avengers film (at least for this group of Avengers). With a high probably that Iron Man and Captain America will either die or bow out at the conclusion, this might finally be the Marvel film where there are actual consequences. But whatever the fate of the heroes, its another 3 hours (supposedly) of Thanos, and that alone makes it worth seeing.

3. Captain Marvel: Marvel finally gives us a female-superhero movie. Brie Larson certainly looks the part, and the trailer really gives you a sense that there’s some ambition in this one. Expect it to lead straight into Avengers: Endgame too. Throw in a significant role for Samuel L. Jackson, and this could be Marvel’s best origin story since X-Men: First Class. Its only real hurdle is it has to live up to Wonder Woman. Speaking of which…

4. Wonder Woman 1984: One of the two good Worlds of DC films (aside from Man of Steel) finally gets a sequel. With iconic Wonder Woman foe cheetah and a no-doubt rousing soundtrack from Hans Zimmer, this might finally be the film where DC turns the tide. Or it could be the final nail in its coffin if DC screw it up. Either way, its Wonder Woman, so you know its worth a shot.

5. The Last of Us, Part 2: After the first Last of Us and the Uncharted Games, expectations are sky-high for this PS4 exclusive next year. Not only does Naughty Dog have a great track record, but the first game is still one of the best we’ve had this decade. With the same mix of epic storytelling and zombie survival horror, I’ve got very high hopes for this one.

6. The Outer Worlds: Made by Obsidian, this looks like it could be the Dark Horse of gaming releases in 2019. Not only is it the product of the brains behind Fallout: New Vegas (AKA one of the best Fallout games) but it looks like a mash-up between Borderlands and Fallout. That can only be a good thing. We haven’t have a good sci-fi RPG since Mass Effect 3 came out.

7. Stranger Things, Season 3: With House of Cards finished, most Marvel shows cancelled and Orange is the New Black drawing to a close, Stranger Things is kind of Netflix’s last standout show. Its also the best Sci-Fi show on television right now (admittedly not hard when its up against Star Trek: Discovery and Chibnall’s bastard version of Who) with one of the best young casts in television and superb support from Veteran actors such as Winona Ryder and David Harbour. With an incredibly catchy theme, a great soundtrack and brilliant special effects, you’d be mad to miss it.

8. Metro: Exodus: Since there is suddenly an unexpected market for a decent post-apocalyptic RPG game, Metro: Exodus seems likely to do very well next year. The Metro series has always had an interesting story, set in the tunnels underneath a nuclear devastated Russia, it had a pretty unique tone and feel. With Exodus its third and easily most ambitious entry, this not only looks set to pick up many disaffected Fallout fans, but also has little competition in the February release window. I’d put money on it doing quite well so long as they don’t botch the release (looking at you Bethesda).

9. Orange is the New Black, Final Season: Netflix’s longest running hit finally comes to a close in 2019. While the last few seasons have been divisive, I’ve loved them, and I’ll be sad to see it go. With several characters fates up in the air after S6, it’ll be interesting to see how they wrap it all up. With the usual mix of comedy, drama and heartache, i’m sure it’ll be a memorable ride.

10. Star Wars, Episode IX: After the critically successful but audience divisive Force Awakens and Last Jedi, Disney has a fight on its hands to bring the Star Wars fanbase back into balance. With yet another film which had to change director halfway through (this time bringing back J.J. Abrams to replace Colin Trevorrow) we know very little about how this will go. Will it be a Rogue-One-esque triumph? A Force-Awakens style remake of Return of the Jedi with plenty of style but no substance? An innovative yet divisive entry that keeps fans guessing like Last Jedi? (yeah right, this is Abrams. The guy hasn’t had an original idea ever aside from how to overuse lens-flares). Or will it be irrelevant and will audiences just stay home like they did for Solo? Wherever it ends up, it will either be the end of an era or the moment the Star Wars franchise goes back on hiatus. So either way, its going to be an unmissable end to 2019!

The three things I’m most hyped for at this point have to be The Last of Us Part 2, Avengers: Endgame and Stranger Things S3, but who knows – one of the others may pleasantly surprise me and outdo all my expectations. Either way – 2019 is definitely looking good in the entertainment industry (which is reassuring, since the outlook is dire everywhere else!).

Next Up: My look at the best and worst films that have released in 2018, with TV and Video Game articles close behind…

Ant-Man and the Wasp Review

Starring Paul Rudd, Evangeline Lilly, Michael Pena, Hannah Jon-Kamen, Laurence Fishburne, Michelle Pfeiffer and Michael Douglas.

Minor Spoilers Only. But this is Ant-Man – you’re here to be entertained, not to be surprised by the plot!

The first Ant-Man was a surprise highlight of Marvel’s Phase Two. It was the least known and one of the least financially successful Marvel films, but its unique blend of humour, zany powers and Paul Rudd’s sublime turn as likeable lead Scott Lang meant it was very well received by critics (noticeably better than Age of Ultron, which came out the same year). It’s also my favourite Marvel film for a variety of reasons, as it succeeds on virtually every level (its funny, the story’s good, the characters are likeable and the fight scenes are actually memorable). So I had high hopes for the sequel.

The good news: not only is it great fun, but it surpasses Black Panther and Infinity War.

Ant-Man and the Wasp has perhaps the lowest stakes of any Marvel film – there’s no world or universe ending threat here. The main villain is simply trying to survive at any cost, and the secondary villain is a glorified thief/gangster who’s merely after Pym’s technology for its value. While this does mean neither villain is particularly memorable, it’s a very smart direction for the film to take, as any antagonists and their plan were going to be anticlimactic after Thanos’ Infinity Snap, so telling a small scale, more personal story is a wise choice. Oh, and in case you were wondering, this is set before Infinity War, not after, so don’t expect any fallout from that film here.

That’s not to say the film lacks ambition. The set pieces are very high quality (an extended car chase is arguably the highlight) and the sequences in the quantum realm are memorably rendered. Ghost’s phase-shifting abilities coupled with Ant-Man and Wasps size-changing antics make for some very inventive fight scenes. There’s none of the shaky CGI that blighted Black Panther’s third act either. The simple plot allows for a much-more character-driven entry in the franchise, and Paul Rudd and Evangeline Lilly are easily the best pair of leads in the MCU (maybe only matched by Chris Pratt and Zoe Saldana), so you won’t complain. The acting in general is of a high standard, and its nice to see Michelle Pfeiffer back in a superhero film after her winning turn as Catwoman in the Tim Burton Batman films.

There aren’t really any massive drawbacks here. The soundtrack isn’t memorable, but it serves its purpose well enough (like every bloody Marvel film score except Guardians). Hannah Jon-Kamen’s Ghost is well acted and somewhat sympathetic, even if her impact is lessened by a lack of real menace or screentime. Her fights with Ant-Man and Wasp are engaging though, and her powers are something we haven’t really seen before, so I’ll give Ghost some points for that and being one of the few female villains in Superhero films. Some of the dialogue feels a bit by the numbers and could be funnier, but the visual gags and the big jokes all land, so I’ll not criticise. Like the first Ant-Man, it takes 40 minutes to really get going, but once it hits its stride, its consistently great fun.

As to whether it beats the first movie… I’m unsure – the effects are better, but the villain is a bit weaker. The script and the acting are pretty much equal, and both films have great (and hilarious) action scenes. Overall, I think the jokes worked slightly better in the first one, so I wouldn’t put this above the original, but its still easily in the MCU’s top 3 or 4 films.

Overall Ant-Man and the Wasp is a funny, charming, touching film that brings a refreshing levity after the bombastic, shocking epicness of Infinity War. Not every punchline lands, but its still easily the best Marvel film since Civil War.

Rating: 4.5 out of 5

Oh, and without going into spoilers, stay for the mid-credits scene. Its gonna have an impact on Avengers 4. Equally, the 2nd is not really worth staying for – just catch it on youtube in a couple of months.

If you’d told me in 2012 that the four best Marvel movies would be 2 Captain America sequels and 2 Ant-Man films I would have laughed. What a thing hindsight is eh? Marvel’s sheer variety of offerings is what makes success stories like this possible. I hope audiences turn out for this one. It really deserves more recognition that its predecessor got.

Final thought: can we get the guy who directed this to take over Guardians of the Galaxy 3? He might be the only person who could replace Gunn and still deliver a great film.

Avengers: Infinity War Review

Starring Josh Brolin, Robert Downey Jr., Benedict Cumberbatch, Chris Pratt, Zoe Saldana and Chris Hemsworth. (I’m not listing all of them or we’d be here all day).

Warning: Full Spoilers. Only read if you’ve already watched the film or don’t care about spoilers.

Infinity War had a LOT of expectation riding on it. How could it not? It’s the centrepiece of Marvel’s ‘phase 3′. It’s made by the Russo Brothers, who produced Winter Soldier and Civil War, two of the best Marvel films to date. It has the largest cast of any superhero film to date. It finally, FINALLY had a villain who might just be an opponent deserving of the Avengers’ attention. It’s predictably braking all sorts of box office records. But does it live up to the hype? Answer: mostly.

Is it a fun, really entertaining film? Yes.

Is Thanos a great villain? Hell yes!

Will it surprise you in any way? I doubt it.

Is it the best ever Marvel film? No.

Let me go into a bit more detail. The film looks great, and the vast number of different locations, some new (like Titan, Thanos’ homeworld), some familiar (like Knowhere from Guardians 1), are all brilliantly created and all have a suitably different feel from each other. It is refreshing to see a superhero film that only spends 10 minutes in New York, not the whole bloody runtime. The direction is pretty flawless, and the fight scenes are all very well choreographed (a refreshing change, as the fight scenes in Spider-man and to a lesser extent Thor: Ragnarok and Black Panther were not particularly great). The script is full of witty lines and seems to know when to dial down the humour (though there’s still a few too many quips mid-fight scene) and the plot is straightforward enough that you can probably follow it as long as you’ve seen at least half the previous avengers films. The only letdown on the production side is the soundtrack, but that’s what happens when you hire Alan Silvestri. Given the number of good composers Marvel has used for its 19 films, why they picked him is beyond me. The score is very generic, and not remotely memorable. It serves its purpose during the action scenes, but does nothing to heighten the tension and really fails to hammer home the impact of the various death scenes or the ending sequence.

Superhero team-ups always get a LOT of mileage from seeing the various heroes or hero groups interact. Seeing Iron Man, Thor and Cap meet up and lock horns for the first time was one of the best things about the original Avengers, and its the same story here, as the two factions from civil war regroup and meet Doctor Strange and the Guardians of the Galaxy for the first time. Watching Star-Lord and Tony Stark bicker or Thor bonding with Rocket Raccoon was fantastic, as was seeing the developing relationships between Quill and Gamora and Vision and Scarlet Witch. Not all the characters got a huge chance to shine (the ones who miss out are mostly those who survive the ending, which is understandable as you’d expect them to have a large role in Avengers 4) but it was very nice to see some of the supporting characters come to the fore. War Machine and Falcon had some particularly epic fight scenes, while Beneditch Cumberbatch was stealing every scene he was in as Doctor Strange (who came off much better here, interacting with others, than he did in his own movie) helped by some spectacular magical moves done by him and Wong.

So the fun’s still there. Let’s move on to Thanos and the Black Order. The problem both previous avengers films (and most marvel films in general) have had is that the villains haven’t been that engaging, and the heroes have all too often found themselves facing easily defeatable CGI armies (let’s be honest, the Chitauri sucked and Ultron’s minions were weak as hell). This film finally broke the mold. Thanos’ minions actually provided some genuine challenge to the Avengers (though predictably still couldn’t kill any of them). That said, Cull Obsidian, Ebony Maw, Proxima Midnight and Corvus Glaive (none of which are referred to by name in the movie) were suitably menacing and physically imposing enough to provide a challenge that the avengers needed before Thanos shows up.

Moving on to Thanos himself, Josh Brolin gives a powerhouse of a performance to establish Thanos as one of the all-time great supervillains of cinema. Thanos is multi-faceted, layered and has the depth that so many Marvel villains have lacked. He isn’t entirely unsympathetic either, despite the devastation he causes in this film, and his motives are actually well explained and understandable, which was always my biggest worry about him. He needed a better reason than lust-for-power or petty vengeance, which have been done to death at this point, and the writers delivered. The infinity stones gave him some pretty cool abilities too, which helped the fight scenes immeasurably. Thanos beating down Hulk and holding his own against entire groups of heroes at a time really helped establish him as a credible, juggernaut of a threat. The visible increase in his power with each additional infinity stone was equally well done. It was particularly nice to see his relationship with Gamora fully explored, which gave Brolin and Saldana some great material to work with. While Guardians had delved into this to an extent, it helps explain the edge Gamora’s character had at the beginning and gives Thanos some extra depth as a character.

So we have a great, well developed, villain with actual depth. So why doesn’t this film work perfectly? Because of the way the MCU works. There’s little to no point killing characters we know have to return for Guardians 3 or the Doctor Strange, Black Panther and Spider-Man sequels. Notice how every character who dies in the final sequence is one almost certain to be resurrected in the sequel. That makes it kind of hard to feel anything about the film’s cliffhanger. Aside from Vision, Loki and Heimdall, I doubt anyone who died in this film will stay dead. If say, Stark, Thor or Cap had disintegrated i’d feel a lot more sad and concerned (because their contracts are all up after Avengers 4 so there’s no gurantees they’d be back). Equally, you can’t really have the MCU carry on as normal with half the universe wiped out – humour based flicks like Ant-Man, Guardians and Thor: Ragnarok won’t really work with that as a backdrop. So it seems nigh inevitable this movie’s ending will be completely undone in the sequel, which, to me anyway, makes it feel a lot less impactful.

Another problem the film has is it’s predictability. All the major deaths are signposted well in advance or were generally predictable (i.e. Heimdall’s an expendable character, Loki’s run his course, Vision has an Infinity Stone in his head etc.). That said, Gamora and Vision’s deaths were pretty impactful, mainly because of the performances of Saldana, Brolin, Paul Bettany and Elizabeth Olsen. The largest problem, however, is that Thanos’ victory seems inevitable throughout (both because of the way the film plays out and the fact we know there’s a directly linked sequel). The fact no avengers die during the battles in New York or Wakanda just signposts the fact that things are going to go very, VERY wrong at the end, which undermines any uncertainty the audience may have had about how things are going to play out. The Wakanda battle does work better than the equivalent ones in New York or Sokovia in previous films, mainly because the CGI is more convincing and the fight scenes are larger and better choreographed, but it was stretching the limits of believability that no main cast members fell during it due to the sheer amount of chaos.

Overall, the cast are great, the fight scenes are the best Marvel’s had in a long time and Thanos is a marvellous villain. But the whole thing’s undermined by a lack of unpredictability – the Red Skull cameo is a nice touch but its the only time the film surprised me. Alan Silvestri’s rather generic soundtrack really isn’t up to much either. Why they picked him over Tyler Bates (Guardians) or Brian Tyler (Thor) is beyond me. I’d still say its the best of the three Avengers films – its got more gravitas than Age of Ultron and the plot and script are more interesting than Avengers Assemble. But it falls short of Marvel’s best efforts, and is a very good film rather than the great one I hoped it would be.

Rating: 4 out of 5

P.S. for anyone wondering about the significance of the post-credit scene, Nick Fury’s S.O.S. is supposedly being sent to Captain Marvel, the star of one of the two marvel films before Avengers 4, suggesting that she might have a large role in saving the Avengers and Guardians.

 

 

Black Panther Review

Starring Chadwick Boseman, Lupita N’yongo, Letitia Wright, Michael B. Jordan, Martin Freeman and Andy Serkis

Warning: Contains Spoilers (it’s been out two months so why not)

It’s difficult for superhero films to stand-out at the moment. There’s an average of 6 or 7 of them a year currently, and while my enthusiasm remains high for Infinity War, the showpiece of Marvel’s phase 3, I’m getting slightly fatigued by all the others. After the twin disappointments of Justice League and Thor: Ragnarok, which both wasted a lot of potential, I was hoping the generally positive reaction to Black Panther was justified.

It was. It’s entertaining and stands out from the crowd. But it’s far from the classic some people have made it out to be. First off, the good stuff. Chadwick Boseman gives other sublime, confident performance as T’Challa (he’s definitely a character with enough potential to lead the Avengers once Robert Downey Jr. and Chris Evans bow out as Iron Man and Captain America). The other cast members are equally good: Letitia Wright is a stand-out as T’Challa’s adorably kick-ass younger sister, while Martin Freeman makes the most of his expanded role as Everett Ross, one of only two white characters to have a significant role in this role. It is refreshing to have a superhero film NOT set in America, and the African setting and the majority-Black ensemble cast give this film a unique feel. It is definitely ground-breaking for a superhero film, and Wakanda’s culture and technological superiority is well-conveyed without the film getting too bogged down in world-building or info-dumps.

Unfortunately, it all never feels quite real. Between the overly CGI Wakandan city and the fact all of the main characters are tribal leaders rather than ordinary-people, you can’t quite fully immerse yourself in the setting. It also kind of lessens T’Challa’s turmoil about the film’s central issue (should Wakanda keep itself hidden away or try and help those in need) that we never see what ordinary Wakandans think about the issue. T’Challa’s decision at the end of the film never really seems in doubt, so there’s no real tension anywhere. This, arguably, is the film’s biggest weakness: its predictability. Oh look, no one dies here except the villains and the hero’s mentor. Where have we seen that before… Honestly, for 17 films out of 17, Marvel has utterly failed to EVER make me think a significant character might actually be in jeopardy (okay, the Infinity War trailers confirmed at least 3 of the main cast survive, but even supporting character’s like Ross and the tribal leaders are never really under much threat).  Other typical Marvel clichés are rife here: the good guys are saved by a convenient change of heart late on that EVERYONE could see coming! T’Challa’s fake death halfway through is irritating through its sheer pointlessness (we know he isn’t actually dead so why hide him off screen for 20 minutes?). Ulysses Klaw is ANOTHER weak marvel villain (not helped by Andy Serkis, who for the first time that I can ever remember isn’t an asset to the film, mainly because his OTT arms dealer feels like a caricature rather than a genuine character). Although Michael B. Jordan’s Kilmonger is much better as the other villain, the film doesn’t really do anything interesting with him. Yes, his backstory is sympathetic and he gets more screentime than most Marvel villains, but he’s still no Ego or Loki.

Back on the positive side of things, the production is nevertheless strong. The dialogue is never clunky or convoluted and the film isn’t hamstrung by an over-emphasis on humour like Thor: Ragnarok was. The action scenes are generally better directed than they were in Spider-Man: Homecoming and Ragnarok (a car chase in South Korea and a ritual combat atop a waterfall being the standout set-pieces), even if the final battle isn’t as emotionally charged or thrilling as you might hope. The music fits the film well even if it isn’t particularly memorable. The film looks great for the most part (the sequences where T’Challa communes with his dead father on the ancestral plain are visually stunning). Ultimately, your enjoyment of this film is probably down to how sick you are of repetitiveness in Marvel films. What we get here is good, but we’ve seen too much of it before, which like Doctor Strange in 2016 limits the score I can give it.

Overall, Black Panther is an entertaining, well-acted film that breaks plenty of ground, but one that remains hamstrung by the traditional Marvel clichés. There’s a lot of potential for future adventures in Wakanda, but this one doesn’t quite hit the heights it could have. It’s a step up from Thor: Ragnarok though, which bodes well for Infinity War.

Rating: 3.5 out of 5

I’ll do a couple more Marvel related updates in the run-up to Infinity War – which hopefully will be the perfect knockout hit we all want it to be. But there really needs to be some genuine fucking consequences in that film, or my interest in the MCU will be permanently broken, no matter how entertaining it is.

Spider-Man: Homecoming Review

Spider-Man: Homecoming starring Tom Holland, Michael Keaton and Robert Downey Jr.

Warning: Minor Spoilers

Every actor has brought something different to the role of Spider-Man/Peter Parker. Tobey Maguire was a great Peter Parker but never completely convinced me as Spider-Man – apart from his brief turn to the dark side in Spider-Man 3. Andrew Garfield was immensely likeable as both but wasn’t really a great fit for Peter Parker – he has too much natural charm to play a socially awkward geek. Tom Holland was impressive in his brief civil war appearance, but Homecoming gives us a proper look at his take on both sides of the role. As Peter, he’s more believable in the role than Garfield and less wet than Maguire, while as Spider-Man he’s an improvement on Maguire but not quite as loveably cheeky as Garfield.

The script is nothing revolutionary, with a very familiar coming-of-age style plotline, but the dialogue is decent and downright hilarious in places. They’ve prevented this being too similar to previous entries – Harry Osborn and J. Jonah Jameson are nowhere to be seen, Peter has a love interest who isn’t Gwen or MJ and we (thankfully) don’t have to see Peter’s origin story or Uncle Ben’s death for a third bloody time. The direction is generally good, although the final fight between Spiderman and Vulture isn’t all that well shot. The soundtrack isn’t all that memorable. Its the tone of the thing where the film succeeds – the interplay between the cast is very good. Downey Jr. steals all the scenes he’s in (predictably) but is used sparingly enough that he doesn’t overshadow proceedings.

The one aspect the film nails completely is humour. Peter’s friends Ned and Michelle get most of the best lines, while Peter’s youthful ineptitude often raises a few laughs. I won’t go into detail because I don’t want to spoil anything – but its funnier than Guardians Vol. 2 was, so you should definitely go check it out for yourself.

In ways, this film feels like what an Iron Man 4 might have looked like. Between Tony’s significant role in events, Peter’s AI in his suit, a more ordinary villain whose interested in profit than world domination and appearances from Stark’s bodyguard Happy (Jon Favreau) and partner Pepper (Gwyneth Paltrow). Given how much I don’t like the Iron Man trilogy (the villains were bland, Paltrow terrible and Favreau dull – Downey Jr. was the only good thing in them) I was surprised how little of an issue for me this was. But for several reasons Homecoming was considerably better than the Iron Man films; the support cast was better, the script was much more humorous, and the villain was considerably better acted. On that note…

Adrian Toombes/Vulture is a more grounded villain than we’ve seen in a long time. He doesn’t want to rule the world or destroy the Avengers – he simply wants to do right by his men and his family and give them comfortable lives. He also has something of a personal code – on two separate occasions in the film he spares/defends Spider-Man despite their rivalry because he has reasons to be personally grateful to him. He’s still a villain, but he’s a relatable one, and his hatred of the 1% like Stark and governments who prop them up probably struck a cord with some of the audience. That said, in other hands, he might not be all that memorable, but Michael Keaton brings a certain gravitas to the role, and while he isn’t spectacular, he has a certain understated intensity that works wonders. His henchmen are less memorable, though their alien weaponry allowed for some cool fights with Spider-Man, particularly his clashes with Shocker.

I liked how they chose Vulture and Shocker for the villains in this film – Spider Man has a huge rogues gallery (only Batman has a better one) but we’ve not seen that many of them in the 5 previous ones, so it was nice to see a different two here. The first post-credit scene also hints at the villain for the sequel, who will be another character we haven’t seen on screen before. Speaking of post-credit scenes, the second one is Marvel massively trolling the audience (kind of a more tongue in cheek version of Deadpool’s ‘why are you guys still here’). So its not exactly an essential one if you can’t be bothered waiting through the credits.

Overall I’d say this was one of the best Spider-Man films. Its funny, entertaining and well-acted, but isn’t perfect – the direction could be better, its a bit clichéd and predictable in places and Jon Favreau’s Happy is a complete waste of space. Still a very, very fun superhero movie though.

Rating: 4 out of 5

Marvel really has been full of surprises this year hasn’t it? I wasn’t expecting Guardians Vol. 2 to have the stronger storyline than Spider-Man or Spider-Man to be funnier than Guardians. Not only that but both films have had strong villains, and its been a long time since two Marvel films in a row have achieved that. Hope Thor: Ragnarok can keep the momentum going!

Guardians of the Galaxy: Vol. 2 Review

Guardians of the Galaxy Vol. 2 starring Chris Pratt, Zoe Saldana, Dave Bautista, Vin Diesel, Bradley Cooper, Michael Rooker, Karen Gillan, Pom Klementieff and Kurt Russell.

Warning: MAJOR SPOILERS! (I mean it’s been out for a month guys, you really should have seen it by now)

I honestly think I prefer the Guardians to the Avengers as an ensemble. No avengers film has ever serviced all its characters well in the same film (Hawkeye is badly sidelined in the first one, Thor in the Second). Guardians films never have to waste time setting up  future standalone films, and the relationships and banter between them always feels natural. Vol. 2 splits the Guardians team up for much of the middle of the film, yet the individuals and double-acts are still as compelling as when they unite as a whole team at the start and end of the movie.

Chris Pratt is arguably the biggest rising star in the MCU (Marvel Cinematic Universe) right now – he’s headlined Jurassic World and Passengers in between films and is certainly a more memorable lead actor than say, Chris Evans or Chris Hemsworth (i’ll grant its a given that none of them get close to Robert Downey Jr., but that almost goes without saying at this point). While Vol. 2 retains the ensemble feel from the first film, Pratt gets a greater share of the limelight, and proves he can handle the emotional stuff just as well as the comedy. Baby Groot is adorable, but to be honest I felt like they could have done more with him in this film (i.e. in the first film Groot was undoubtedly my favourite of the Guardians, this time around it was probably Quill with Drax a close second). The film does do a good job of fleshing out Gamora (Saldana) and Nebula (Gillan) who were arguably two of the least well-utilized (and least interesting) characters in the first film. Nebula in particular is a far more sympathetic character, and Gillan flexes her acting muscles far more this time around. Michael Rooker’s Yondu, another supporting player from the 1st film, also really comes into his own here and his comradery with Rocket is one of the strong points in the middle part of the film. Newcomer Mantis (Pom Klementieff) is a sweet and welcome addition and gets plenty of amusing banter with Drax, who like last time gets most of the best lines. But the film’s real strength comes from Kurt Russell’s Ego, a celestial (a living planet with a human form of himself) and Quill’s father.

Ego is the best villain Marvel has given us since Loki. He’s better than Ultron, Zemo, Yellowjacket and Winter Soldier (the only ones other than Loki to leave a good impression). Kurt Russell kills it with his sweet, manipulative and largely convincing act as Quill’s remorseful dad, and then excels at portraying Ego’s true superiority complex and universe conquering delusions. CRUCIALLY, Marvel finally give this villain enough screen time to have a real impact, something which hamstrung Lee Pace’s Ronan (as it has with so many other MCU villains) in the last Guardians adventure. The final fight between him and Quill is quite possibly the best hero/villain fight in the MCU (only the hilarious Ant-man/Yellowjacket battle or Captain America/Winter Soldier confrontations spring to mind as equally memorable). Ego also allows Chris Pratt to show different sides to Quill, as his barely contained rage at Ego’s murder of his mother takes the film to a far darker place than most Marvel movies ever reach.

All this is very welcome, because the early part of the film (particularly the first half hour) feels like a less interesting re-tread of the first films antics and jokes, while not offering anything particularly new. The soundtrack is still good, but isn’t quite the knockout Vol. 1’s was, while not all of the jokes in the first hour land as well as they could have. Nevertheless the special effects seem to have got an upgrade since the first film (which still looked bloody good!) and now everything looks even more awesome than before (something helped by the fact that James Gunn is one of the better directors working for Marvel atm). The plot is a great deal more involving than the ‘infinity stone’ quest in its predecessor ever was, and the film manages to set the stage for a third entry without dragging this instalment of the series down with endless set-up (looking at you, Dawn of Justice). To summarise, some things are an improvement, some are a slight step back, and thus Vol. 2 comes out about equal to its predecessor.

The five (FIVE!) mid and post credits scenes are generally an absolute hoot, the two highlights hinting at a major comic-book character’s arrival in guardians 3 (Adam Warlock if I had to guess) and a comedy cut-away showing a teenage Groot with some serious attitude. Pity about the Stan Lee cameo. That guy needs to fuck off and stop shoehorning himself into films which really have no time for him (the one here is especially jarring).

Overall a terrific second half and a formidable villain overcomes an uninspired first half to deliver a good, if imperfect Marvel movie.

Rating: 4 out of 5

Coming Soon: My review of Wonder Woman, a film that signals a welcome return to form for DC…